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Indus Script deciphered with Hindu mythology: glyph #16
GODS AND DEMONS TURN A MOUNTAIN TO OBTAIN THE ELIXIR OF IMMORTALITY

Indus Script glyph #16 deciphered by Celeste Horner 2024 as Samudra Manthan, the legend of the Churning of the Ocean of Milk.

Indus Script glyph #16. The Churning of the Ocean of Milk. Cursed by a powerful sage, The Devas, the gods, lost their powers, immortality, and wealth. Their only choice was to cooperate with their arch-rivals, the demon Asuras. Together, they turned a mountain back and forth like a butter churn in the mystical Ocean of Milk. Treasures and Amrita, the elixir of immortality, emerged, but first, a world-threatening poison was released. The god Shiva, the hero of this occasion, volunteered to swallow the poison (#53, #36, #35, #54, #55), which turned his throat blue (#37). Indus Script glyph #16 shows gods and demons pulling a tug-of-war (glyph #254) on opposite sides of the mountain.




HIDDEN SYMB⨁LS IN THE ALPHABET


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Indus Script deciphered with Hindu mythology
Rosetta Stone discovered with MahaShivratri legend of Lubdhaka, the man, tree, and tiger

by Celeste Claire Horner, 2024


T
HE ANCIENT INDUS VALLEY CIVILIZATION was in its prime around 2600 B.C, the same time as pyramid building in Egypt. Its urban center of Mohenjo-daro had engineered running water and public pools. Its population of 50,000 was the largest on Earth. Mysteriously,
Indus script disappeared from use about 1800 B.C. It remained undeciphered for centuries because a multi-lingual translation had not been found. In February 2024, a breakthrough was achieved. Project Shivoham identified the traditional legend of Lubdahka and the Tiger as a decoding key for the Indus Script. Eighteen terracotta seals (Possehl, 2008) depict a tiger looking at a man in a tree. The legend reveals the context of the scene. Trapped by a wild tiger, the hunter Lubdaka is forced to spend a whole night in a sacred Bael tree. He prayed, fasted, and sprinkled tear-moistened holy leaves on a Shiva lingam below the tree. This happened to be performed on the yearly holy night of MahaShivRatri when the marriage of Shiva and Parvati is observed with ritual annointing of a Shiva lingam, all-night prayer, meditation, and celebration. Greatly pleased by these devotional actions, the god Shiva blessed Lubdkaha with a safe return home and glorious admission to paradise.

The legend of Lubdhaka and the Tiger was the Rosetta Stone of the Indus Script! Insight from this legend sparked the great "Eureka moment" for Celeste Claire Horner, a retired librarian and independent researcher of comparative language and symbology. The long-sought interpretation key provided an independent account of the meaning of enigmatic Indus inscriptions. An American raised in the United States and Canada in a home oriented to world culture, with both the Bible and the Bhagavad gita on the bookshelf, Celeste was able to recognize allusions to Hindu mythology in Indus Script artifacts. Examining the tiger seal, she employed a prior meta-language research discovery that the upright fish Indus sign #59 was a god symbol to deduce that the winged V Indus sign (#342), the most frequent glyph, was a SHIVA SYMBOL. Suddenly, a huge light illuminated the mystery of ancient Indus Valley civilization.

This discovery meant that the god Shiva was the central theme of the Indus Valley culture. Many seals featuring fantastic beasts show that the trading, farming, and herding society particularly venerated Shiva Pashupati, Lord of Animals. The Indus Valley people were Pashupatinath Shaivites. Elaborate Indus seals represented Shiva in his forms as Adiyogi, first yoga master; Pashupati, Lord of Animals; and Nataraja, Lord of Dance. Shiva linga and yoni altars were discovered in the original archaeological digs in the 1920s by Marshall (2004). Celeste Horner recognized many more icons of Shiva in the Indus Script such as Shiva's crescent moon head ornament, lingam, damaru drum, sacred Bael tree, and trident. Hindu mythology decoded numerous additional Indus Script icons. In the famous legend, Churning of the Ocean of Milk, Shiva becomes the hero of the Hindu gods' quest to obtain the Amrita elixir of immortality (#178, unicorn, #179, 194, #267 lingam temple) by swallowing (#402) a poison that would have otherwise destroyed the world. The poison is represented by a scorpion claw, glyphs #36 and #53. Shiva swallowing the poison is shown in #37, #54, and #55. This story also supplies ideographic icons such as Indus sign #16, which shows gods working with their arch-rivals, the demons, to turn a mountain (#204-#208, 210) with a tug of war (#254) in the Ocean of Milk in order to obtain the Amrita elixir and other treasures. This and other Hindu legends provide guidance for the interpretation of the Indus writing system and give a coherent explanation for connections between glyphs which have long resisted decipherment.


THE MAN, TREE, AND TIGER SEAL:   THE ROSETTA STONE OF THE INDUS SCRIPT

Figure 1. TIGER SCARE MAKES NIGHT OF PRAYER. This is the Rosetta Stone that enabled cracking the code of the Indus Script with Hindu mythology: the man, tree, and tiger seal. It depicts a legend of the god Shiva called Lubdhaka, the tree, and the tiger. Chased by a wild tiger, the hunter Lubdhaka takes refuge in a sacred Bael tree. He spends the night fasting, praying, and sprinkling holy Bael @ @ leaves on a sacred lingam stone below the tree. The Indus script danda stick repeat marks shows that he continuously prayed AUM Shiva Mahadev, "OM Shiva, great god," while scattering leaves from his hand. As a result of accidentally fulfilling this ritual on the holiest night of the year, he pleased Shiva and earned a safe return home and glorious admission to paradise.This legend reflects ancient religious tradition which still continues to the current day. All Shiva devotees aspire to accomplish this ritual on MahaShivRatri at least once in their lifetime: a day of fasting, and a night of wakeful meditation. Hindu gurus still urge their followers to make the effort to stay awake the whole night of MahaShivRatri (@Sadhguru) to absorb the spiritual energy on this occasion, the anniversary of the divine marriage of Shiva and Parvati. Devotees annoint a Shiva lingam with flowers, Bael leaves, and milk; meditate, pray, listen to sermons and stories, chant mantras, and celebrate with dance and music. Lubdhaka had a life-threatening wild tiger (a symbol of Shiva) as his incentive to stay awake all night and pray!

Legend identified by Project Shivoham and glyphs interpreted by Celeste Horner in February 2024.


Indus script glyphs match many traditional Hindu legends and icons. Shiva's trishul trident (glyphs #162 - #166, #171, #367), his hour-glass-shaped, Time-generating damaru drum (#214, #256, #409), Mount Kailash abode (#136, #135), Nandi horn (#205), tiger skin meditation seat (#244), destroying third eye #377, sacred Bael tree #327, lingam and yoni shring (#277 - #283), and lingam (#244, #176, #177, #195 - #205, #379 - #393, #256) are represented. Glyph #16 is legend of the Churning of the Ocean of Milk where god and demons pull a mountain back and forth to make Amrita, the elixir of immortality. Glyphs #41 and #42 show how a dwarf defeated demon king Bali by growing so large that he could step over mountains and straddle the worlds of Earth and Heaven. The most frequent Indus sign is the SHIVA SYMBOL #342, which blends the form of the tilak third-eye forehead mark worn by devotees of Vishnu and Shiva. The god Shiva is the unifying theme of the Indus Script, the most elaborate panels depict Shiva Nataraja, Lord of the Dance, Shiva Pashupati, Lord of Animals, and Adiyogi, the first yoga master.


Mahadevan (1977): 417 Indus sign list



Mahadevan (1977): 417 Indus sign list


List of 417 Indus Script signs - with interpretation - CCH 2024





INDUS SCRIPT DECIPHERED WITH HINDU LEGENDS




GLYPH #2: JYOTIRLINGA - GOD SHIVA EMERGES FROM A PILLAR OF FIRE




Image credits: Metropolitain Museum and Indianholiday.com


Indus Script glyph #2. @ HOW BRAHMA LOST HIS FIFTH HEAD. A dispute arose between gods Brahma and Vishnu over who was the greatest. Suddenly, an enormous pillar of light and fire blazed up between them. They agreed that whoever could discover the end would be declared superior. Brahma transformed into a swan (#63, #64) and flew upwards. Vishnu in the form of his boar avatar (glyph #62, also Matsya god fish with tusk) dug down towards the netherworld. Both gods searched, but neither could find the end of the pillar. When they met again, Vishnu admitted truthfully that he failed to find the bottom. Brahma, however, lied and produced a flower that he said came from the top. Just as Vishnu was about to bow to him, the god Shiva emerged from the pillar in a rage, and sliced off the 5th head of Brahma which had swollen his ego and caused him to lie (#79, headless bird #83, #198, #51, #52). After that is was apparent that Shiva was the supreme deity. Jyotirlinga (radiant linga) shrines (#267, #270-283) across India honor this first manifestation of Shiva as a cosmic pillar of light (#61).

Concordance entries for glyph #2: @ | @ ♣ | Glyph #2 info page


GLYPH #6: HYAGRIVA, THE HORSE-HEAD GOD OF WISDOM


A HORSE-HEAD DEMON STOLE THE VEDAS, wisdom scriptures, from the four-headed creator god Brahma (glyph #5). This Danava demon was called Hyagriva, meaning horse-head (Indus Script glyph #4). He had heard that after the Great Flood, gods planned to share Vedic wisdom with humans, which would put them on par with the gods. He jealously wanted to prevent this. He had obtained a boon that he could only be defeated by another horse-head hyagriva, and he was the only one. The Vedas were embodied as four children, and the demon abducted them by first enticing them with his horse disguise, and then abducting them to his lair below the ocean. Gods, including Vishnu battled the demon Danava to recover the Vedas, but returned exhausted and defeated. Vishu was so tired, he fell asleep on a bowstring (#7). In accordance with destiny, a termite (#57) gnawed through the string and the cable snapped, cutting off Vishnu's head. The gods replaced Vishnu's head with that of a horse, so that he also became hyagriva. Then with his Matsya unicorn fish avatar (#62) and his new horse-head forms, Vishnu defeated the demon in his sea-shell and horse-head forms and returned the Vedas to Brahma. In his horse-head form, Vishnu hyagriva became wisdom deified.

MIND BLOWN. Later, Sage Dadichi wished to impart Vedic knowledge to two twins, but was cursed that his head would explode if he ever shared the information. The twins devised a plan to replace Sage Dadichi's head with that of a horse. After the knowledge was imparted, the horse-head exploded, and Dadichi's original head was replaced. The wise twins thereafter were depicted with horse heads. (@ Joshi, 2022) In other legends, the wife of the sun Surya, needing a break from light and heat, left a shadow double in her place and took the form of a horse and lived on earth and studied spirituality for a long time. The horse received respect for its grace and swiftness, and as a spirit animal and vessel of divine life and inspiration from ancient times. Discovering her absence, the Sun took a vacation, incarnated as a horse, and joined his wife for a romantic frolic. To win her back, Surya, the Sun, sacrificed 15/16ths of his energy, which was melded into the super-weapons of the gods, like Vishnu's chakra, the Brahma danda staff @, and Shiva's trishul trident. Horsehead nebula in Orion




GLYPH #42: DWARF DEFEATS A DEMON KING BY GROWING TO COSMIC SIZE




Indus Script glyph #42. DEMON KING BALI BECAME SO POWERFUL that he ruled all three realms of the whole universe. Both Devas, the gods, and humans prayed to the god Vishnu for relief from King Bali's cruel treatment. Vishnu sent his dwarf avatar in the disguise of a Brahmin holy man to the court of Bali and requested an area of land that he could cover with three steps. King Bali looked at the tiny feet of the dwarf, laughed, and accepted. Suddenly, the dwarf grew so big that his first step reached over mountains (glyph #41). His second step reached between worlds (glyph #42). Realizing he was dealing with a god, King Bali humbly offered his head for the third step of land. With his foot, Vamana pushed Bali down to rule the underworld, and the balance of the universe was restored. Indus Script glyph #42 shows the dwarf Vamana standing on two worlds because he has grown to enormous size.


Indus Script glyph #41, #42, and #43 are determinitives of size scale: as big as a mountain, and ocean, or encompassing multiple worlds. In the Indus texts (concordance Mahadevan 1977), they are used to illustrate the greatness and omnipresence of deity, to praise Shiva. Here, they are used to illustrate the legend of Vamana, the dwarf avatar of Vishnu. He defeated the demon king Bali, who had conquered the three worlds, by growing to cosmic size. Bali had pledged to give him three feet of land, but after Vamana's expansion, he had to offer his own head for the third foot, give up his cosmic empire, and confine his rule to the underworld.



ARDHANARISHVARA - HALF MALE AND FEMALE SHIVA

ONCE, THERE WAS A DEVOTEE WHO WOULD WORSHIP ONLY SHIVA. He circled around Shiva reverently, but excluded Shiva's wife Parvati, and that hurt her feelings. The next time he visited, Shiva put Parvati on his lap to make sure she shared the honor. The devotee (Bhringi) turned into a serpent and slithered in between them. Shiva was amused, but Parvati was annoyed. Next, Shiva and his mate fused (#87) into one being that was male and one side and female on the other. This was the the first manifestation of the Ardhanarishvara (half male) form of Shiva. The devotee only circled the leg that belonged to Shiva's male half ( #40). The next time the sexist devotee visited, Shiva and Parvati fused together and stood only on one leg. The determined devotee turned into an insect and bored through their navel (#354). That was the last straw. Finally, to teach the man about the importance of both male and female, Parvati (#8) decreed that henceforth, the man could only have the parts of his body inherited from his father, his nerves and bones. The feminine flesh and blood disappeared, and the devotee became a three-legged skeleton (Indus glyph #39). Unicorn seal M-595 shows the circle (#391) that skeleton man (#39, #48) made around Shiva (#342).


SHIVA, great god, first yoga master, lord of animals, forest sage


Shiva Pashupati lord of animals


Center: MAHADEVA, great god, is a primary epithet of Shiva. Great (sign #153, #155). God fish (#59).
Center: SHIVA FOREST SAGE (center). FOREST represented by the up arrow tree (sign #153, #155) and GOD by the god fish sign (#59). The original sages were equal to gods and wielded cosmic powers. Once, a sage became angry at the gods for not accepting his patron king into their heaven. They repelled the king as he ascended in the air, senting him hurtling back towards the underworld. Enraged, the sage started to recreate a whole new universe with a new cast of gods. Scrambling to pacify him, the gods made the king into a constellation.
Center: SHIVA PASHUPATI, Lord of animals, tiger wrestler seal from Mohenjo-daro (M-308).
Bottom left: ADIYOGI Proto-Shiva sits in yogic posture.

Yoga means joining, and the letter Y shows a split joined at the bottom. Y also represents yogis because they support their prayer-bead arm with a Y-shaped danda stick.

H: ladder (glyph #186)
HARI, honorific salutation.
H male suffix.
H respiration, breath.
HARA (meta) fire breath, Shiva Destroyer -- of death, ignorance, burning away mortality and material bondage.
Seal from Mohenjo-daro (M-304). Indus Script - Sanskrit - English interpretation by Celeste Horner 2024-4-14

Strangling / Wrestling / Fighting tigers should be hugging, playing with tigers, scratching them under their chins. Shiva dressed in skins like Tarzan. Primordial scene. First time. Adiyuga. Animals like family. There is much mythological lore about ability of deities to tranform into animals.


THE MOST FREQUENT INDUS SIGN - THE SHIVA SYMBOL
A FOREHEAD MARK OF SHIVA AND VISHNU

The winged V symbol, Indus sign #342, is most frequent in the Indus Script corpus.
It was deduced to represent the god Shiva based on its use in the Man-Tree-Tiger and Shiva Pashupati, Lord of the Animals seals. It represents the mark on the cobra around his neck and is also is a tilak forehead mark, and combines the V-shaped design worn by Vishnu devotees, with the horizontal bars worn by Shiva devotees, which represent his command over the three worlds. 2-bars

Indus / Harappan figurine with tika, c 2800 B.C. (Kenoyer, J. M.)

Priest-king forehead marks the third eye

Dr. Jonathan Mark Kenoyer comment on tika on figurine from 2800 B.C.




THREE-LEAF BAEL TREE, SACRED TO SHIVA



Three-leaf clusters of Bael (aka Bhel, Bil, Bel, Aegle marmelos ) leaves, sacred to Shiva are represented in the Indus Script. Shiva is often depicted with the leaves on his hair or on his throat. This is a very specific and diagnostic linkage between the ancient and modern Hindu traditions.

Pipal tree long life, evolution, air roots, see queen of tree dancing circle. Sacred tree links. Upside down Sapta rishi in Indus seal with scorpion. TODO


THREE-LEAF BAEL TREE - ICON OF SHIVA WORSHIP


Figure 3: Icons of Shiva in the Indus Script: Trimurti, Bhel tree. Celeste Horner 2024.


SHIVA LINGAM



Figure 5: Indus script glyphs for "Shiva lingam". The glyph has the tripundra, three horizontal lines which represent Shiva's omnipresence in the three worlds. Celeste Horner 2024. Times of India: Most popular Shiva temples in India for Maha Shivratri.


Hindu legends depicted in the Indus Script

  1. The legend of Lubhdaka: the man, tree, and tiger
    • 3-leaf Bhel tree
    • Shivaratri night
    • Danda stick punctuation (#85 repeated walking, #392 sun shining, chakra wheel rolling)
    • crescent moon on head of Shiva
    • Constellations
  2. Matsya, the fish avatar of Vishnu which saved Manu and the 7 sages from the flood
    • p 189 Parpola. Skandapurana - fish overheard Shiva Jnanayoga teaching to Parvati
  3. Hayagriva, horse-head demon steals the Vedas (#4 - #7)
    • defeated underwater by Matsya
    • defeated by horse-head Vishnu. Bowstring head replacement
  4. The Saptarishi, Seven Sages of Shiva
  5. Shiva Pasphupati, Lord of the Animals
    • Vishnu as Narasimha, the man lion
    • Thousand lotus sacrifice of Lakshmi
    • Adiyogi
  6. Shiva Nataraja, Lord of the Dance
  7. How Brahma lost his 5th head: the first manifestation of the Shiva lingam
  8. Shiva the Water-bearer and the descent of river Ganga from heaven
  9. Shiva lingam, damaru drum, and trishul trident.
    • yoni temple Indus #277, #278
    • Kailash mountain, Shiva's home: 135, (134, 136), 230-235 mountains, underworld
    • Crescent moon. Nandi bull. Vasuki naga serpent. Tiger. Blue throat. Dancing foot. Skeleton
    • Trimurti, three-head bull, incarnated with 4 dogs and wish fulfilling tree
    • Parvati. t ^ hat female. |||^ #92 Egyptian female t
    • Sankara: Meta: Holy heart of light. San holy. kr core heart. Ra light.
    • Ishwar: Meta: I candle shining one. Sh shining. wr great (Egyptian) meta; W glow, R rising light
    • Shiva Kailash Parvati inscriptions
    • Marriage of Tree goddess in the Underworld with Bull-form river god, altar forms x| x|
    • secet compartment seal
    • How Shiva got his trishul trident energy weapon from a solar mass ejection.
    • weapon / astra representation in Indus Script. Bow, missle, chakra, conch, backbone
    • Sun Surya gave up 15/16 energy because he was too hot for his wife
    • who replaced herself with a shadow and lived on Earth as a meditating mare.
    • dead bird. Brahma, Sita, Garuda and little bird
    • skeleton glyph and story of Shiva mourning Sita. i
    • skeleton glyph #48 (Also noose of Yam, Shiva aghori)
    • Shiva omnipresence like water around fish. Shiva, wavy lines water, fish inscription. River Ganga.
    • Shiva is pure consciousness, the source of worlds. Flowing water inscription. Blessings flowing from divine.
    • Shiva mantra music. 🎵

    Shiva Pashupati lord of animals

  10. The marriage of Rama and Sita
  11. Ardhanariswar, male and female union of Shiva (#72, #87)
    • The tale of the three-legged man. Man who worships Shiva but not his bride Parvati is transformed to teach him a lesson.
  12. Skeleton man (#48)
  13. [The legend of the Churning of the Ocean of Milk, Samudra Manthan, in the Indus Script]
    • Shiva and the moon
    • Scorpion king
    • The unicorn bull, alchemy, and Amrita, the Elixir of Immortality
    • Apsaras, divine maidens of music and dance, (#45, #46) emerge from the Ocean of Milk
  14. Vamana, the dwarf, claims the world

CONCLUSIONS

REFERENCES

Glyph table and Concordance




1

  The Legend of Lubdaka: the man, tree, and tiger

Newly Discovered Rosetta Stone for the Indus Script


The Tiger is a Symbol of Shiva

Shiva meditates seated on a tiger skin. His icons are represented in the Indus Script. His hour-glass shaped damaru drum is #214, and his trishul trident appears in characters #162-#165 and #365-#372. The tiger, on which he sits is an animal featured on numerous seals.



Bhaktiphotos.com



1

  The Legend of Lubdaka: the man, tree, and tiger

Newly Discovered Rosetta Stone for the Indus Script



Figure 2: Two tiger seals. (First draft interpretation in February 2024 by CCH after Shivoham discovery).

SHIVA Pashupati, lord of the animals, play-wrestles and embraces two tigers. The two mighty animals jump up on him like two big pet dogs who are excited to see their master and who are about to lick him with affection.

SHIVA MAHADEV (great god, a primary epithet of Shiva). Up arrow: maha, great. Upright fish: deva, god. Double stroke ": and

SHIVA ADIYOGI (first yoga master). (left: Up arrow (great/ AA). Upright Fish god/(Di). Double stroke " and/(ii). Yg yogi, this yoga danda elbow rest supports the forearm of yogi who is holding prayer beads. H, ladder to heaven, pillar of heaven, male suffix, (h)

Lubdhaka and the Tiger. Right: A man chased by a tiger spent the night in a holy tree praying, fasting, and sprinkling holy leaves, and earned the blessing of Shiva. Indus script shows his repeated mantra and prayer, "AUM Shiva Mahadev". Polysemantic symbolism also alludes to variations of "OM Shiva deva," and " OM na ma Shivaya."


Project Shivoham video



THE MAHA SHIVRATRI LEGEND OF LUBDAKA


THE STORY OF THE MAN, THE TREE, AND THE TIGER

Lubdaka, the hunter, went into the jungle to find food for his family. All day he searched, without success. As sun sank low on the horizon, long haunting shadows stretched across the land. The darkest night of the year was approaching. Suddenly, Lubdaka found himself face to face with a snarling tiger. To save himself, Lubdaka scrambled up a tree. The wild tiger roared, and paced back and forth at the bottom of the tree, eyeing him with a hungry glare. Lubdaka was forced to spend the entire night on guard while perched on a branch.

To keep himself awake, Lubdaka plucked leaves from the tree and dropped them below, where they accidentally fell on a sacred Shiva lingam stone. It so happened that the leaves he dropped were those of a holy Bel tree. As he thought of his family his tears also fell on the ligam. It was a hard experience for Lubdaka, but the silver lining of his difficulty was that his actions fulfilled the sacred rite on the holiest night of the year, Maha Shivratri. One is supposed to fast, pray, wash and annoint the lingam, and sprinkle it with flowers and bhel leaves. For this meritorious deed, Lubdaka was conducted to the paradise of Shiva at the end of his life, even though by some accounts, Ludaka was considered a very flawed or sinful man. So even though he had a night of misfortune, by worshipping Shiva with an all-night vigil and nothing to eat or drink, Lubdaka was redeemed, and earned an eternal reward.



A TIGER AS INCENTIVE FOR A NIGHT OF PRAYERFUL WAKEFULNESS

STAY AWAKE. KEEP SPINE ERECT. From ancient times to the present day, yogic teachers such as Sadhguru @ urge their followers to honor the yearly occasion of Maha Shivratri by remaining awake all night. One uses devotion, will power, and celebration @in this effort, performing rituals, celebrating the marriage of Shiva and Parvati, and absorbing spiritual and cosmic energies from the angular momentum of the planet in that season. "It is to be a night of wakefulness and awakening." The ancient author of the Lubdaka legend devised a scenario where a tiger and adrenaline were incentives to keep a worshipper awake!

The information that tiger seals relate to the night-time observance of Maha Shivratri was the clue that solved the mystery of why one seal shows a man carrying water when a tiger was on the scene. The night information indicated this was not a man, but stars that Lubdaka, who was trapped in a tree until dawn, observed. These included Aquarius, associated with Saturn and Shiva; the Pleiades, associated with the wives of the Seven Sages, Shiva's Saptarishi disciples; and the 3 belt-stars of Orion, a constellation shaped like an hour-glass like Shiva's damaru time-creating drum.

STARS ON THE NIGHT OF SHIVA

Figure 2. A second variation of the man, tree, and tiger seal. Celeste Horner used the information that the Lubdhaka legend occurred at night to deduce that the water carrying man and dots in the sky were stars and the constellations of Aquarius, the Pleiades (in Hindu mythology, the wives of the 7 sages), and Orion (which has the hourglass shape of Shiva's damaru drum which creates Time).

(hourglass = time: shape of damaru drum of Shiva, Mount Meru, cosmic spine and pillar, joining all 3 worlds like jyotalingam).


READING THE INDUS SCRIPT MANTRA: Om nama Shivaya

Indus Script decipherment: Lubdhaka, the tree, and the tiger seal

  1. The tiger is a symbol of Shiva and Shakti power. Shiva meditates while seated on a tiger skin. There is a full cycle of symbolism in the picture. Everything relates to Shiva. The tiger, representing Shiva, compels a man with a arc on his head like Shiva, to worship with mantras and leaves which are sacred to Shiva.
  2. The pictographic symbol has multiple meanings. It can represent a Shiva lingam, a sacred Bael leaf, an all-seeing eye with, an axis mundi, or even the craters of the Moon. It also alludes to the open mouth of goddess Parvati. During her extreme austerity to win the heart of Shiva as her husband, she subsisted solely on fallen leaves, and then only on air.
  3. #3 and #4 are sacred leaves sprinkled by Lubdhaka. Double tick is an Indus word for "and", and indicates plural. If #2 is interpreted as a Bael leaf, #3 indicates that plural, multiple leaves are being sprinkled on the Shiva lingam, #1, the tiger which is Shiva in disguise. In the mystical 5 aspect perspective of the OM, #3 would be the nada, primordial sound reverberation created by Shiva's damaru drum, and #4 would be the bindu third eye singularity. @ 2024-2-21
  4. Single tick indicates yielding, giving. Symbols 4 and 5 together write nm, namaste, I bow to the divine.
  5. Symbols 5 and 9 are danda sticks, Sanskrit punctuation. As Shiva, Lord of Dance, his motions and drumming generate time and the structure of the world. As the Destroyer, Shiva is like the period at the end of a sentence. These danda sticks indicate the segments of verse and mantra, and function like repeat marks in music. Danda sticks: rods of authority, weapons, churning rod (as in making the elixir of immortality). Pillar, Shiva like the endless central pillar of the universe, jyotirlinga. Something which holds up the sky. The world will end if not supported. (Atlas, Osiris, Djed, Cronos parallels)
  6. Symbol 6 is the Shiva Symbol, the most important and frequently used glyph in the Indus Script. The design is a fusion of the tilak or tika forhead marks worn by Vishnu and Shiva devotees in the present day. A figurine unearthed at Harappa showed that this style was used in ancient times also. If the Shiva symbol is inverted, it depicts a standing stone or Shiva lingam.
  7. Symbol 7 is the Sanskrit consonant va. A mneumonic is that it represents the Naga king serpent Vasuki, who was coiled around mount Mandara during the Churning of the Ocean of Milk. Later Vasuki helped Shiva saved the world, by coiling around his throat to constrict the world-threatening poison that Shiva swallowed. It represents the serpent which coils around a lingam, and the sacred fig vine that coils around a tree. Female pelvic opening, the following character show birth and light. Triune principle of father-mother-child. V represents the Shiva'a blue throat which swallowed the world poison. The previous symbol is A above, the v symbol represents digging below, as when Vishnu used his boar avatar to try to find the end of Shiva's pillar of fire jyotirlinga.
  8. Symbol 8 is an upright fish (Indus Script glyph #59). This is a case in which the nuance of pictographic writing makes a big difference. Normally this fish glyph is pointed like a vesica piscis, and means deva, god. This glyph has been formed significantly rounder than normal. It is a round, fat, bigger fish, hence, rather than deva god, it implies Mahadeva, "great god, " a prime epithet of Shiva. Like a sun and rays of light, it represents enlightenment. OM, hail to the light of Enlightenment. The same symbol can read as OM, Mahadeva, and enlightenment. Positioned over Lubdhaka's head, it implies his serene spiritual state of mind.
  9. 9 is the closing danda mark, which segments verse. The diagonal danda appears to come first. The direction of reading the Indus Script, like Egyptian hieroglyphics, is into the face of a person, god, or living being. Some letters, like the va consonant, are asymmetrical and indicate reading direction. The bulge, like the nose on a face, comes first. Danda is a word for rod. There is a yoga danda, or yoga stick on which a sage rests the forearm which holds prayer beads. The rod can also be a weapon, as in Brahmadanda. It could also be a measuring device.
  10. 10. Lubdhaka, the hunter, is the subject of the legend. He has an arc on his head, like the crescent moon that Shiva wears on his matted locks top knot. He sets off into the jungle to find food for his family. It was getting dark, when he was confronted by a wild tiger. He climbed a tree to escape. It happened to be a sacred Bael or Bilva tree. He spent the whole night in the tree. His prayers, mantras, and sprinkling sacred leaves pleased Shiva. He got home safely the next day and was escorted in honor to paradise at the end of his life. In some legends, Lubdhaka is a sinful man, and he was redeemed solely because he performed an important ritual. The graphics in the Indus seal, however show Lubdhaka sitting up in yogic posture and being a spiritual individual. Legends say that the sacred Bael tree sprouts from the hand of Lakshmi, goddess of fortune, and its fruit represents her breast from the 1000 Lotus Sacrifice. There are several tree goddess seals. The Tiger seal may also have sacred marriage symbolism.
  11. The tree is an interesting clue about the environment. It appears to be a primitive conifer like a cypress, and be a swamp environment which is home to swimming tigers, and crocodiles, shown in a Pashupati seal. There are tree goddess and tree dancer scenes with air-roots and sprouts from their heads. Three leaf clusters represent Shiva trident, sacred trinities, and Bael leaves. The spines on the tree resemble arm bangles which can represent beauty and prosperity (Lakshmi), they can also be used to count time: 14 day moon phases. The tree helps to form indicate a crypto-message: the mantra "OM, nama Shivaya (OM #2, nama #4, #5, Shi #6, va #7, #9 Sanskrit a, #11 tree branch ya). 2024-14-14




Meta-language clues in the Indus Script pictograms suggest that Lubdhaka spent the night sprinkling holy Bael leaves and repeating well-known mantras such as "OM, na ma Shivaya, Shiva mahadev, and AUM.


Figure X: Speculation: The mantra OM na ma Shiva ya is cryptically encoded in the tiger seal scene. Sanskrit letters va, and vowel a are included. Normally, the fish sign means deva, or god. But with a rounder form, it suggests a sun with rays shining down, as in enlightenment, or OM. The glyph appears directly over the head of Lubdhaka, suggesting his enlightened state of mind. Identifying the Shiva glyph, to date considered to be a jar, was one of the first discoveries of this study, and led to recognizing that Shiva is a central theme of the Indus Script.



Crypto message in pictograms: OM nama Shivaya. classical Devanagari A: sunrays
Anrahermetics: Meaning of OM


1. UPRIGHT FISH. The upright fish was interpreted as god because of previous meta-language research in pictographic writing. In Proto-Sinaitic, an upright fish represented the Philistin man-fish god Dagon. @ @ Matsya, the first avatar of the Hindu god Vishnu was a fish which saved the first man from the flood. The Mesopotamian god Enki (a.k.a Ea) has rivers of water flowing from his shoulders in which upright fish are swimming. The Christian emblem is a fish. The fish represents the constellation of Pisces, Age of Pisces, and the astrological influence that sages charted for auspicious occasions. Fish are often depicted in clusters of three, representing the Trimurti of Shiva, Vishnu, and Brahma. Fish also represent the SaptaRishi quasi-immortal sages whose powers can exceed those of the devas: they can curse the gods and one even started to make a new heaven with replacement gods. (Trimurti - Three Sea Deities, depicted as fish. Sumerian Under the Sea 3-24)

SHIVA SYMBOL. The largest glyph in the panel was interpreted as Shiva because of meta-linguistic clues: SH sound due to similarity to Hebrew shin and V. A similar glyph appears over the head of the Shiva Pashupati, lord of animals seal, like a label connecting it to Shiva. The glyph, when inverted has a strong resemblance to a standing stone or lingam. (It also looks like a double key, wings, or music notes). A big X also appears represents Shiva or Shivratri (X). (Great God=Tree Goddess). This glyph is the most frequent in the Indus Valley corpus, which indicates that the worship of Shiva was central to the culture. Meta-language alphabetic value: Alef A, SH shin, and V vav. Shiva comparable to Egyptian Shu, god of open empty space, shw. Comparable to Greek (Kronos, god of Time, the swallower of gods, ruler of the golden age, also Roman Saturn). Equivalent to cosmic dark energy which causes expansion and keeps universe (temporarily) from collapsing to a singularity * (glyph). Shiva, lord of animals, separates two tigers who want to mate, like Egyptian Shu who separated sky (goddess Nut) and Earth (god Geb). His icons include || of split, division, and side by side union.

OM. the shining sun (round upright fish) above the head of the man indicates his mind is in a state of enlightenment. It has the shape of an open hand (manus), OM. The word OM is also formed by the va consonant (v = w = u = o, as in Hebrew vav) and the OM fish. The marvel of pictographic writing is that it can communicate several different messages simultaneously. A nuance, such as making a god fish more round like a sun with rays of light, adds another dimension of meaning. With meta-linguistic reasoning, this single symbol, blending manus hand, outbreathing open mouth ha, and deva, could create the meaning mahadev, a shining sun of life-giving enlightenment.

AUM. Speculation 2024-3-18. The word AUM is formed alphabetically. The Shiva symbol is the alef bull. The coiled Vasuki serpent bears the value U. M is formed by the open manus hand shaped upright fish. In Dravidian, fish is "min". The AUM in the tiger seal gives a triune formula: Shiva-lingam-Nandi -Alef masculine principle, Vasuki, Shakti, coiled, embracing female principle, and a radiant hand of light, flowing waters of life, the offspring. Enclosed in danda-stick quotation marks, the process is eternally repeated.

Lingam is alef / Aleff. Shiva is associated with a bull / ox , which is Semitic alef. Va = Wa = U. Loop of Vasuki around the mountain for the churning of the Ocean of Milk creates and Ω Omega symbol. Fish is Min in Dravidian, phonetic complement m.

SANSKRIT CONSONANT va was recognized as part of the name Shiva. Ocean of Milk legend led to the hypothesis that the va consonant venerates Vasuki, the king of Naga which helped save Shiva from poisoning by coiling around his throat. It helped save Manu from the flood because it acted as a tow rope when Matsya the fish guided the ark of 8 humans to safety. Iconography shows Vasuki coiled around Shiva's shoulders. The consonant is a loop made of the coiled serpent.

BAEL LEAVES. Three leaf-fronds from the Bael tree are sprinkled on a Shiva lingam to consecrate it. This is a very diagnostic discovery within the Indus Script. There is also a 3 leaf tree character. Notice that the tiger seal shows three small strokes indicating the ritual number of Bael leaves.

DANDA STICKS. These are punctuation of Sanskrit and act like repeat marks in music. These show that Lubdaka was praying to Shiva repeatedly all night in accordance to ritual. Shiva, whose drum creates the rhythms of creation and destruction is like the punctuation of the cosmos. He determines when it stops and starts. Danda rods are an icon of Yama, Death.

PLURAL. Double tick represents plural of the Bel leaves ().

AND. Double tick represents and / union in numerous instances. For the union of MahaShivratri.

YA, YIELD, GIVE. Represented by single quote.

CONSTELLATIONS. This is another version of the man, tree, and tiger seal. Why is there a man carrying water when a giant wild tiger nearby? The Lubdhaka legend solves the puzzle: Lubdaka was in the tree overnight. The water bearer and other dots represent the stars and constellations: Aquarius, seven sisters Pleiades, and three star Orion. Notice hunter Lubdaka (Figure 1) has a arc shape on his head like the crescent moon that Shiva wears. Aquarius is ruled by Saturn, which is associate with Shiva. Aquarius is the zodiac sign of Lord Shiva, Lord Ganesha, and Shani Dev (Saturn). MahaShivratri is the night before the New Moon preceding the Spring Equinox.

TIGER. Everything in the picture represents Shiva. The tiger skin is part of Shiva's iconography. The tiger is Shiva in disguise, and takes the place of a lingam in the picture. The leaves fall on him. There is a complete worship cycle or loop: Tiger chases man into tree, prayer leaves fall on tiger. Alpha-OMega- fish=min=mantra. Double quote indicates plural leaves. Danda sticks indicate plural prayers repeated. Single quote means of, of giving. The Bel (belle) tree represents Lakshmi, goddess of fortune, an aspect of Shiva's feminine complement, universal goddess Shakti. The lingam is Shiva. The man in yogic posture with a cresent on his head represents Shiva. The stars in the sky, the water bearer, is Shiva. The Pleiades are part of Taurus, the bull, which is an incarnation of Shiva.

TRANSLATION (bostrophodon- both ways since 2 figures give direction). () Bel leaf. " plural. /\ for. VF Shiva. (fish) deva, god. [2] | Shiva Deva | mantra repeated. Short strokes are leaves dropped from tree. (X) is the Shiva lingam or occultly, the mouth of Parvati, who subsisted only on falling leaves as she tried to earn Shiva's love. Maha Shivratri is an occasion to celebrate the marriage of Shiva and Shakti/Parvati.


Three-leaf clusters of Bael (aka Bhel, Bil, Bel, Aegle marmelos ) leaves, sacred to Shiva are represented in the Indus Script. Shiva is often depicted with the leaves on his hair or on his throat. This is a very specific and diagnostic linkage between the ancient and modern Hindu traditions.

Pipal tree long life, evolution, air roots, see queen of tree dancing circle. Sacred tree links. Upside down Sapta rishi in Indus seal with scorpion. TODO


THREE-LEAF BAEL TREE - ICON OF SHIVA WORSHIP


Figure 3: Icons of Shiva in the Indus Script: Trimurti, Bhel tree. Celeste Horner 2024.


MahaShivaratri Legend of Lubdaka: the Man, the tiger, and the tree
Darkness and the legend of Lubdaka
KV's Plants & Orchids (2020). Bael Tree / Bilva Patra / Aegle marmelos: General Care Guide, Propagation, Fertilization. {"There is a saying that Lakshmi lives in the Bael plant, so most of the houses grow them"}





2

  Shiva and the Seven Sages           ^






Saptarishi, the Seven Sages. source


Shiva and the Seven Sages (SaptaRishis)


Figure 7: Indus Script glyphs for "Shiva and the Seven Saptarishis." These sages were the first yoga disciples of Shiva, the adiyogi, the first yogi in the world. Eventually, rishis austere practices gave them powers over nature rivaled the gods. This inscription was one of the first interpreted after discovering the glyphs for god and great. The strokes indicating seven sages made this translation evident. The unicorn is associated with the Elixir of Immortality. This is appropriate here because the SaptaRishis, the Seven Sages, are Chiranjeevis, immortals, who are thought to be alive at present and will continue until the end of the Age of Kali Yuga. These immortals include Hanuman and Ashwarthama, who was born with a gem embedded in his forehead.

SHIVA AND THE SEVEN SAGES (SAPTARISHIS).
( X|. X=sh; |=a or | = va) .The long stripe in the inscription may represent the
sound "a" or be a danda, Sanskrit punctuation stick which divides words and verses.

Up arrow, means great or Maha. Also depicts a great, tall, forest tree in double-entendre forest sage/ great sage.

This inscription may read: 7 GREAT SAGES, FOR SHIVRATRI

WHY THE UPRIGHT FISH? According to the Puranas, there was a flood, and Matsya, the fish avatar of Vishnu saved one man, Manu, and seven sages, who were mind-born immortals of Brahma. They are chiranjeevies, 7 immortals including Hanuman, who are considered to be alive at the present time, and will continue to the end of the Age of Kali.

Is this backwards? A cast? Great Sages 7 of ('/ short stroke first) Shiva. Goes against head to tail direction if read this way. Reading head to tail: X | Shiva 7 sages Great.

Discovered 2024-3-12 12:47 CCH. This first sign is most likely Maha Shivratri. There is a tiny up arrow, meaning great, on the bottom right of the big X for SHIVA. This seal could impress a design into a holiday bread, sweet, or candle for the holiday. SACRED AMULET, HOLIDAY COOKIE STAMP
The v-mark, \' means "for"




Decoding Indus Script

The revelation that the Indus Script seal tableau made reference to a known folk tale with reference to the god Shiva was a Eureka moment. The winged V, the largest symbol in the panel, suggested the name Shiva because of metalinguistic correspondence (Trident trishula, Hebrew shan, fringed support Hebrew Samek, and Chinese mountain shan) indicate that fringed letters are often associated with SH. The symbol had the shape of a V. Together these create Shiva or Vish(nu). The upright fish appears in Proto-Sinaitic alphabet as Digg, represents Mesopotamian teacher divininty Oannes, and the fish avatar of Vishnu Matsya. Christianity also has a fish emblem. All of this suggested association betwen the upright fish and god or sages. Referring to other panels revealed the upright fish in association with the up arrow, which was interpreted as great, or maha in Sanskrit. The strategy for decoding unknown languages is to look for frequently used, or prestige terms such as great, god, and heaven.



The Shiva symbol in the Indus Script
combines geometry with Vishnu


The winged V symbol is most frequent in the Indus Script corpus.
It is a combination of the tilak, the forehead mark for Vishnu, and the 3 bar version for Shiva







6

  Shiva Nataraja, Lord of the Dance ^


Figure 2. Shiva as Nataraja, Lord of the Dance trampling the demon of ignorance. Bronze of the 10th - 11th century Chola period. Tamil Nadu, India. Institute of Chicago, 2018.


Figure . Shiva Nataraja, Lord of the Dance slaying the Bull of Ego. (Alternatively, the Bull of Will stoically enduring abuse from a dancing fiend and demented phase of Self)



A foot, signifying divine presence
and protection. Indus Script glyph #341


Once, a holy couple was blessed with a wise and wonderful child. They were sad that it was his destiny not to live past the age of 16. When he reached that age, he went into a temple, grasped a Shiva lingam and entered meditation so profound that the minions of Death could not take him. Finally, the Lord of Death arrived and threw his noose around both the boy and the lingam. Shiva emerged from the lingam in a rage and trampled Death into the ground. No one died for a while, and the balance of life was starting to get upset. Finally an agreement was reached. Death forever released its hold on the boy. He lives forever at the age of 16.


Many representations honor the god Shiva for having
trampled underfoot the challenges of ignorance, ego and death.




Rectangular seal with Indus Script signs:
[336] Third eye tilaka mark. Butter churn representing the Churning of the Ocean of Milk to make the elixir of immortality.
[341] Foot: a symbol of divine presence, a place of worship. @ Foot of dancing Shiva, foot with which demons are vanquished.
[17] Three-leaf Bael tree which is sacred to Shiva;
[4] Water-bearer icon of Shiva who shields the Earth from the Ganga river as it falls from Heaven;








7

  Shiva lingam


Icons of Shiva discovered in the Indus Script


Figure 4: Devotional image of Bhel leaves sprinkled on a Shiva Lingam. source

Shiva lingam with Bhel leaves source


Figure 5: Indus script glyphs for "Shiva lingam". The glyph has the tripundra, three horizontal lines which represent Shiva's omnipresence in the three worlds. Celeste Horner 2024. Times of India: Most popular Shiva temples in India for Maha Shivratri.





6

  How Brahma Lost His Fifth Head ^





Figure 6: Indus Script with glyphs for a Shiva lingam, the swan of Brahma, and multiple strokes for digging and flying action. CCH 2024-3-12.

The swan's head is bent back like it is looking down from the tall tower, has lost its head, is dead, or ashamed. The head looks like the Egyptian hieroglyph for crescent moon, an emblem of Shiva. The upside down Y look like the Eiffel tower. The lingam was an infinite tower.


RELATED INDUS SCRIPT GLYPHS:
Glyphs #2 (Shiva appears in pillar). Glyph #5 (Brahma head). Glyph 79 (Brahma bird avatar looking down). Glyph #83 (Brahma bird avatar with no head). Glyph #198 (5th head of Brahma, 5th block on top of stack of 4).





13

  Calendar Interpretations of the Indus Script ^





Figure 8: Indus seal commemorating Maha Shivrati holy day, marriage of god Shiva and Parvati. Offerings made to Shiva lingam

Interpretation: Night of Shivratri. Union (") in love (||) of Shiva and Parvati (fish with hat). Bael leaf offering to lingam. Making sweet butter. Stirring Ocean of Milk. YF prayers, praise to Shiv.

(*) potter's wheel. Fork hand can represent to make

𓇺 Egyptian hieroglyph N12 for cresent moon, an important icon of Shiva, possibly also means evening and night, as for Shivratri.



7

Shiva's Damaru Drum ^




2024-3-8: Four Shiva symbols on this seal: Damaru drum (left), Lingam, lingam shrine, Damaru drum (right). (The damaru emerges from Shiva's vertical 3rd eye, or ovoid lingam shape). The rhinocerous is code for the unicorn bull which represents a horn of plenty full of Amrita, the Elixir of Immortality.


Indus inscription 7027 10001, Mohenjodaro M-595A (Mahadevan 1977, pg 1) shows chakra wheel indicating rotation, and the two-headed (hammer-shape) damaru drum. Shiva whirls the drum back and forth as he performs the Tandava dance to create Time. This is evidence that glyph #391 is the verb for rotation (also possibly sun, light) and #256 (and #214) is the damaru drum.



DEVA (fish) VEDA (stick, book), mirrors DV VD. Stroke line as va, a, ha. Mountain / Stick churning Amrita


We have CRACKED the Indus Script ...somewhat.





7

Shiva's Trishul Trident ^



The tilted square may be a yajna sacred offering fire pit. DH = deva H? Lotus sacrifice, love given to Deva (Shiva). Trimurti, light-giving. Dawn of Heaven.
Dravidian and Indus Valley Script (lecture) by Professor Asko Parpola

Union. ||. Not '. D divided advaita. H.
OM SHIVA. MOUNT KAILASH. OM Shiva mantra on one side of the mirror danda repeat marker. On the other side: a short stroke ya, of, and a D and ladder for the Mountain of heaven is on the other side. This would refer to Mount Kailash in Tibet, the abode of Shiva. An additional significance of the square besides moon, could be a temple or fire altar. A square represents the earth element and, in the destroyer role, Shiva consumes the world by fire and transforms all into something new. The square can also represent the moon, the month, the sun, or calendar. At some point, Shiva merged with the mountain Kailash, and it became an expression of his being (Sadhguru).



5

  Shiva Pashupati, Lord of Animals





Variety of Indus Script animal seals.
From: Frenez, Dennys (2022) Deconstructing Indus-related Seals Found Beyond the Harappan World



Shiva as Lord of Animals and Lord of the Dance


XI "Shi" - Shiva, Shiva, Shiva Dev!
Also King Scorpion? Age / Constellation of Scorpio.

Shiva as Pashupati, Lord of the animals

The winged V symbol may be a synthesis of both Shiva and Vishnu. In this tableau, Pashupati has the aspect of NaraSimha, the lion-man form of Vishnu. He is known for displaying omnipresence by appearing in the center of a pillar, splitting it, and emerging to devour a scoffing unbeliever. The lion-man is a representation of the Leo-Aquarius axis of the zodiac. The Sphinx in Egypt is also a lion-human, has a destroyer aspect (Sekhmet), a vessel (nu water pot) of Amrita, and a serpent emerging from the head (cobra) and wrapped about the shoulders (Vasuki), like Shiva (Celeste Horner, 2023, 2024).


Shiva as Nataraja, Lord of the dance

Figure 14. Shiva as Nataraja, Lord of the Dance. Bronze of the 10th - 11th century Chola period. Tamil Nadu, India. Institute of Chicago, 2018.



THE INDUS SEALS DEPICT DIFFERENT ASPECTS OF SHIVA as Lord of the Animals, Lord of the Dance, and as a meditative figure. Shiva as Pashupati, Lord of Animals is at peace, whereas Shiva as Nataraja, Lord of the dance is in a passionate frenzy trampling ignorance and slaying the bull-headed ego.

SERENITY, PASSION, and SACRIFICE. Shiva as Pashupati, Lord of animals, and Nataraja, Lord of the Dance, who is slaying of the bull of ego. One aspect of the man is meditating in yoga posture. The zealous dancer aspect slays a bull, representing passions and ego.

THERE IS SOMETHING WRONG with this picture. The bull is often depicted as the mount, and representation of Shiva. Shiva is the Lord of Animals, but his avatar is being killed. It could be a manifestation of enlightened detachment. The slaying of the bull occurs in Minoan and Mesopotamian cultures. It might also refer to the transition of the era from the Age of Taurus to the Age of Aries (the ram, as in Rama), about 2000 B.C. In Mesopatamian lore, the Bull of Heaven is a destructive agent from whom people wanted deliverance. In this picture however, the bull is stoically taking the knee and allowing himself to be sacrificed. Perhaps the bull is the enlightened one, and the dancer and central enthroned Self are aspects of a personality that needs correction. The Self, the figure on the throne is not the serene lion-man (Leo-Aquarius), but a diabolical figure with curved horns and a backwards torso. The dancer has a fiendish aspect. Thus, the picture may be an expression that something was wrong with the world. It represents the dynamic back and forth of good an evil, the tug-of-war between the enlightened and dysfunctional parts of the mind.

SACRIFICE. There is a theme of sacrifice here. Pashupati's crown can be interpreted to be an axe, representing cutting ego attachments and the bonds or shackles of illusion, represented by the curved part of the crown. The crown has another association: the 1000 lotus offering of the goddess Lakshmi. Extemely devoted to Shiva, she would offer 1000 lotuses to Shiva every day. One day, two were missing. As a substitute, Lakshmi made a sacrifice of two parts of her perfect feminine beauty, which were esteemed (like in the Song of Solomon) to be as lovely as lotus flowers. The curves in the crown depict these milk-producing parts of her body. The figure above would be a woman who is joining Shiva in transcending physical gender to achieve union in pure spirit.

SCORPIONS. The figure at the top of the image is bearing two objects that look like XI. This can be a throne (Luwian), an altar, or a scorpion (Elamite). Is Shiva related to the Scorpion King, an early pre-dynastic Egyptian pharaoh? XI also spells Shi for Shiva.

ASTONOMY: We have a full complement of astrological symbols: Taurus (Spring), Lion (Summer), Scorpion (Autumn), and Man (Winter). cch 2024-3-9



The Dholarvia sign, longest Indus inscription



Dholavira sign with symbols of Shiva's bull mount Nandi (1), damaru drum (9), moon (6) and stars (chakras, wheels) (2,3), and sacred Bael tree (8). (Numbered from right to left)

Interpretation conjecture: Sign for auditorium
[1] Holy Place. Reach heaven. Hear word of God.
[2] Ox cart crossing to heaven. Tree of Heaven. Thunder. Hammer of Heaven. Seal of Heaven.
[3] Gathering place to hear wisdom, for singing, story-telling, and healing associated with municipal baths.
[4] Scorpion X King (*)R ()Oi roi. Xo co place.
[5] Metalsmith calipers at front, hammer at end, lots of potters wheels
Anything with repeated signs is probably alphabetic and not ideograms for traditional stories. Maybe sounds for stories key alphabet interpretation.

Meta-linguistics: ARRIO XO RO THE ODR. Holy (hiero). YR/JR (get/reach). (*) Heaven, stars. Place (xo/co). R (word, mouth, Egyptian). Th (God). ODR (hear), (The + ODR = theatre). Alef bull A. Chariot wheel R/RO/CH. Tree TH. Hammer/axe D.





8

  Shiva the Water-Bearer ^




Shiva the Water-Bearer



Indus Script font display with serenity music


Indus Script water bearer symbols



Gangadhara by Hindupad.com


Shiva is the water bearer because
he breaks the fall
of the Ganges River
from Heaven. It springs up
from his top-knot. Shiva is also a
water-bearer> because he made
it possible for the Elixir of Life,
Amrita to be made because
he swallowed the poison
which accompanied it.




Shiva symbols: Spoon and tongue, Amrita, nectar of immortality, or prasad, sanctified food.
3rd eye tilaka mark / Spoon or ladel for dispensing holy oil at a fire ceremony
Egyptian oar hieroglyph, representing Hindu butter churn and the Ocean of Milk
Foot of Shiva, Lord of the Dance. A foot also symbolizes divine presence.
A 3-leaf Bhel tree, sacred to Shiva. Lakshmi's 1000 Lotus sacrifice became its fruit.
Shiva as water-bearer (Ganges falls on him, and he swallowed the poison of the
Churning of the Ocean of Milk), and balance of the cosmos.

Shiva bearing the descent of the Ganges River. Triangular flag. Alamy. V Vasuki coil, Love wrapped around, V Vayu wind, free, invisible.

Indus Script glyph #180 shows the torrents of the Ganga river flowing down from heaven. (Also used for blessing, ghost, fluid flow)


    Summary of Icons of Shiva discovered in the Indus Script include:
    • Damaru drum
    • Lingam with 3 stripes
    • Trishul trident, man with fork rake
    • Sacred 3-leaf Bhel tree (Aegle marmelos)
    • Shiva / Vishnu Tikala
    • Shivaratri legend of Lubdaka: man, tree, and tiger
    • Lubdaka has a an arc on his head like the crescent moon of Shiva
    • Legend of the Ocean of Milk
    • Bow which proved valor of Rama
    • Bull mount Nandi
    • Naga Serpent Vasuki
    • Shakti 1000 lotus offering
    • Merger into one body with female Shakti/Parvati ||
    • Pashpati feet suggest the spout for a lingam and yoni.
    • Fish could represent eternal beings, capable of existing in primordial waters (Egyptian Nun, Eye + Water. Fish symbol derived from vertical 3rd eye). Teachers of life.
    • Danda rod reflects the lingam, and Shiva as a pillar which fills the universe. Both Vishnu and Brahma failed to find the limits.
    • Danda is a rod which can be used for churning, an allusion to the Ocean of Milk legend
    • Danda could represent drum stick or fire torch involved in Shiva rituals
    • Water bearer / Ganges
    • Pashupati, Lord of the animals
    • Pashupatastra, deadly weapon, missle arrow, Rama
    • Shiva, destroying 3rd eye, perhaps fish god glyph with dot is vertical eye
    • 𓊖 Egyptian hieroglyph O96 for village, here used for lingam, location.
      Lingam: axis mundi network (xx glyph) node
    • 𓉗 Egyptian hieroglyph O6, hwt, temple, tomb, palace
    • 𓊕 Egyptian hieroglyph O95 for mound
    • 𓈉 Egyptian hieroglyph N25, three hills, Indus 233 - 235 foreign land, (Pyramids, underworld, compare Sumerian, Assyrian proto-Cuneiform kur ZS12-24)
    • 𓌺 Egyptian hierogllyph U, mr, love, Egyptian hoe (Amr love Budge, Amrita + E endless, eternal)
    • Shiva Nataraja,
      Lord of dance [slaying bull of ego, foot]
    • Egyptian nfr beautiful hieroglyph relates to Saraswati's musical instrument
    • HORus HARE, HARI
    • Brahma lotus, goose egg
    • Upper crown and brahmin hairstyle, and floating lotus of Brahma
    • Christianity - Judaism - Egypt - India succession
      foot subduing ego and ignorance
    • Swastica Sw Sv Siva T cross corner coil curve circling
    • (*) Six sides: 4 arms + head + foot. Vitruvian 9
    • Shiv as Egyptian Shu, separating tigers, primordial gods Sky and Earth, who want to mate
    • Shiv adinath from Praveen similar translation
    • ish = shining one, bright nature. ISH (shining one) WAR (great, Egyptian), AH (masculine suffix Sanskrit/ from heaven)

    • foot (divine presence, protection, Nataraja, Lord of the Dance)
    • Elephant head of son Ganesha
    • CCH 2024-3-5

    Reference: Concordance of Indus Inscriptions Corpus of Indus Seals. Josh, Jagat Pati and Asko Parpola, eds., (1987). Memoirs of the Archaeological Survey of India 1986.


Indus tablet with V-shaped Shiva symbol. Shiva is known as Pashupati, Lord of Animals, and is particularly associated with water buffalo, serpents, and tigers. His son Ganesha is distinguished by an elephant head. The diamond-shaped symbol associated with Amrita, the elixir of life is also present. The chimera animal may be part of an alchemical code, each representing elements, apparatus, and process. (See Marriage of Rama and Sita, and Legend of the Churning of the Ocean of Milk).



Diary of the Discovery Process


INDUS SCRIPT DECIPHERMENT DISCOVERY PROCESS 2024:

  • Learned from Project Shivoham video that an Indus seal with a man, tree, and tiger represented a known legend about god Shiva
  • Realized the legend could be the Rosetta Stone to decipher the Indus Script because it tells what the text and pictures are saying.
  • Learned that the seal should represent man trapped in tree by tiger
  • Learned that man is dropping holy leaves on a Shiva lingam
  • Reasoned that bits coming from man's hands were leaves
  • Reasoned that target of leaves was a lingam symbol
  • Searched for Symbol to label lingam with name Shiva
  • Largest symbol in panel was V, surmised this was Shiva symbol
  • Meta-linguistics: fringed symbols like Sumerian she wheat, Chinese mountain shan , and Hebrew shin 山 have sh sound
  • SH + V = Shiva (or Vishnu)
  • Recognized upright fish as divinity symbol from meta-linguistic research into Proto-Sinaitic
  • Upright fish: Hindu Vishnu avatar Matsya, Mesopotamian Oannes, Christian fish
  • Hypothesized upright fish meant god
  • Expanded upright fish to sage because there is a legend that a fish on the shore of a desert island overheard Shiva teaching yoga to Parvati and was transformed.
  • Legends around world report fish-like teachers of civilization.
  • Noticed that up arrow preceded god symbol
  • Meta-linguistics A=Arrow Above
  • Hypothesized upright arrow was adjective meaning great
  • Hypothesized arrow fish symbol combination for Maha Deva, great god
  • Located great in modifying position for 3 fish/gods
  • Located great up-arrrow adjectives in modifying position next to other terms
  • Recognized double tick as possible dual or plural
  • Examined more seals and found language devices
  • Recognized long stroke as A sound
  • Found Sanskrit va consonant to complete word deva, god
  • Learned about Sanskrit single and double stroke danda stick punctuation which indicates breaks in verses or mantras
  • With the key of Shiva legends, recognized more and more Shiva symbols: trident, drum
  • Recognized symbols related to legend of the Churning of the Ocean of Milk
  • Learned about statistical analysis of language which confirmed most important symbols
  • 2024-3-6 Just noticed Lubdaka has a crescent shaped hair bun, like the cresent moon on Shiva's head
  • 2024 is an anniversary of the discovery of Indus Script in 1924
  • This work was done in the week leading up to MahaShivaratri 2024


Figuring out the code: first analysis sheet



The Legend of Lubdaka: the man, the tree, and the tiger.
Newly Discovered Rosetta Stone for the Indus Script


THE MAHASHIVARATRI LEGEND OF LUBDAKA:
THE MAN, THE TREE, AND THE TIGER

Lubdaka, the hunter, went into the jungle to find food for his family. All day he searched, without success. As sun sank low on the horizon, long haunting shadows stretched across the land. The longest night of the year was approaching. Suddenly, Lubdaka found himself face to face with a snarling tiger. To save himself, Lubdaka scrambled up a tree. The wild tiger roared, and paced back and forth at the bottom of the tree, eyeing him with a hungry glare. Lubdaka was forced to spend the entire night on guard while perched on a branch.

To keep himself awake, Lubdaka plucked leaves from the tree and dropped them below, where they accidentally fell on a sacred Shiva lingam stone. It so happened that the leaves he dropped were those of a holy Bel tree and his actions fulfilled the sacred rite of Shivaratri, the holy night of Shiva. One is supposed to fast, pray, annoint the lingam, and sprinkle it with flowers and bhel leaves. For this meritorious deed, Lubdaka was conducted to the paradise of Shiva at the end of his life, even though by some accounts, Ludaka was considered a very flawed or sinful man. So even though he had a night of misfortune, by worshipping Shiva with an all-night vigil and nothing to eat or drink, Lubdaka was redeemed, and earned an eternal reward.

MahaShivaratri Legend of Lubdaka: the Man, the tiger, and the tree
Darkness and the legend of Lubdaka





Project Shivoham video with groundbreaking identification of the Indus script legend


From sinner to saint: ancient tile gives Lubdaka a more positive image

The ancient tile provides a different perspective on the Lubdaka story. In current versions of the legend, Lubdaka has the reputation of a sinner, or evil man. The emphasis of the story then has been on the power of redemption and the importance of observing Shivaratri. The Indus Script version implies Lubdaka was not a sinner. He sitting in yogic posture. Indus Script punctuation indicates a repeated verse form. This implies that Lubdaka was intentionally praying all night and sprinkling leaves dedicated to the god Shiva. It makes emotional sense that a person trapped by a tiger and facing death would pray fervently all night. The wonderful thing about picture writing is that they illustrate parables which can be read in various ways. For the sinful person, there is redemption. For the average person, there is a relatable condition and a situation where a bad situation, a night trapped by a tiger, has a silver lining and an eventual positive outcome. One can also see in this image of Lubdaka, an example of examplary spiritual attainment. He is industrious, heading into the forest to feed his family. In the face of danger, he assumes a cross-legged yogic posture, which identifies him with Shiva, the Lord of Yoga. He chants all night, fasts, and performs the reverent act of placing holy leaves on a lingam. On the branch, he is above the danger. This is a metaphor for the way that inner peace lifts the heart above the turbulence of the world. Shiva is often depicted seating meditating while seated on a tiger skin, representing a layer of calm on top of tension, strength, and ferocious golden energy. The tiger is an emblem of Shiva, so everything in the tablet picture refers to Shiva.

(Three registers: subterranean underworld, upside down y hand. Middle world, earth, X cross. Heaven, sky Y coded in branch. Lubdaka arm unites him with the tree. Tiger easily could reach man, but is calm, watching. Tree is emblem of Lakshmi, whose body is the Bhel fruit due to the 1000 lotus sacrifice, and Parvati whose pennance was eating only falling leaves, until finally she subsisted just on air. Bhel tree is Belle goddess, see tableau where crowned female is greated in underworld by crouching horned man and bull-man).





10

Marriage of Rama and Sita



The adjective great, and the term great gods

The Great Gods bless the marriage of Rama and Sita

Double ticks can also represent "of". in Great Gods OF Heaven. Music, celebration, sweetness of honey on tongue.
Shiva, Lord of the Dance V. Flaming arrow and enchanted bow of Shiva. Spirit. Sun shining. Blessing. House glyph () [] temple altar. Egyptian hwt square within square Vishnu (*), Shiva (fish with moon), Brahma growing fish with up arrow. He is the one who is expanded. He is the one above dreaming Visnu on a lotus.


Marriage of Rama and Sita.
Rama proves his valor by wielding the enchanted bow of Shiva

Pashupadastra, the deadliest weapon of Shiva. Hindu Saga (2022) [video]

CHURN Devas Wings Air, Asuras Claws Fire, Amrita Water + salt, unicorn, cornucopia blessing. Egyptian plow with seeds. This supports phonetic value of AMOR love because it is used as phonetic complement for AMRITA




More discoveries, the words great and god


)Harappan Indus Inscription: MahaDevaya, to the great god (Shiva) Great god of YH (double tick means of). Yoga? Yuga? Beasts? Unifying?
Great God and Yogi

Maha Adi Yogi? Great first yogic master was Shiva, according to tradition. Fish sign would be D. Double tick I. Y is YG, yoke, joining. H is H, male suffix.i 2024-3-14@04:08


Direction of Writing

In this research, the Egyptian hieroglyph standard for direction of writing has been employed. The direction of reading is towards the face of any human character or living being. The Sanskrit va consonant with a bulge on one side was used to confirm directionality in one case. If there are no other indications, then the direction has been indicated as right to left. Statistical analysis (Yadav) has identified the V character (here identified as Shiva) as frequenty first, and the diamond character (here identified as Amrita, or full moon) as last.

{img: add circular tile example, YD}







11

Ardhanarishvara Male Female Shiva ^





Mahadevan, I (1977). Corpus of Indus Inscriptions, volume 2, Pakistan. pg 1. (via archive.org)


Skeleton MAN CIRCLES SHIVA

Indus grammar discovered! Language uses VSO verb subject object order. CCH 2024-3-28 11P!.
VERB: CIRCLE, wheel rotation. Double tick means (and)
SUBJECT: MAN, skeleton man, seated with vertebrae protruding.
He was the sexist devotee who only circled Shiva in prayer, not his wife goddess Parvati.
OBJECT: SHIVA, Shiva's 5-prong trident, wife Parvati with female curves and crown, and the Shiva V symbol.


The Tale of the Three-legged Man


Once, a devotee came to worship Shiva. He grumbled when he saw that Shiva's wife Parvati was present because he was rather sexist and refused to worship her. He prayed circumambulating Shiva only. Parvati was offended. Shiva was somewhat amused. The next time the devotee came to worship, Shiva put his wife Parvati in his lap, but the stubborn devotee turned into a serpent and slithered in between them. Then, Shiva and Parvati merged into one body that was male on one side and female on the other. This was the first time they manifested their Ardhanarishvara form. Not to be deterred, the devotee transformed into an insect and burrowed through the body only circling the male side of the body. Parvati was both amused and incensed, but they both were impressed by the determination of the devotee. To teach him a lesson however, Parvati decreed that henceforth, the man could only have the parts of his body inherited from his father, but none from his mother. He could have bones and nerves, but not the softer parts, the flesh and blood. Thereafter the devotee existed as a skeleton with a three legs.

The three-legged man is Indus Script glyph #39
The circle that the devotee made around Shiva's leg is Indus Script glyph #40.

Skeleton man could also apply to Sita, Dadichi, Shiva Baraat wedding party. Noose is implement of Yam Death, and Varuna Sea, Pasha, perhaps an element in the name Pashupati, often occurs with Shiva symbol






12

The Churning of the Ocean of Milk




[Samudra Manthan: The legend of the Churning of the Ocean of Milk]


Legend of the god Shiva and the Churning of the Ocean of Milk








Note: Slide 2, The Asura demon glyph is a composite of spirit / wavy ghost + horns with a scorpion glyph (Corpus book) superimposed. The glyph combines with mountains, which is kur in Sumerian. The same word is kur is used for the underworld. The result: Asura is a bearded, horned ghost of the mountain underworld. There has been some wondering about the nature of the object in front of the unicorn bull. From ranch familiarity in Montana, it might be a water bowl and salt lick. Water and various salts are alchemically significant. In addition Shiva is associated with fire, and apparently shapes like squares and semi-circles and sacred geometries have different spiritual significance and effect in fire ceremony. According to one account, when Shiva swallowed the poison, he got so hot that the moon was placed on his head to help cool him. That is an origin of that iconography in the Churning of the Ocean of Milk legend.


Indus Script interpretation: The god Shiva swallowed the poison which flowed from the Churning of the Ocean of Milk. It emerged when Deva gods and Asurademons did a tug-of-war to turn a mountain to generate the elixir of immortality. In order to access treasures and the Amrita elixir, a dangerous world-destroying poison had to be neutralized. Shiva is honored for being the hero that swallowed the poison, which turned his throat blue.



Secular interpretations

Prior research regarding the Indus Script suggested that writing was employed for accounting and commerce. This seal may concern prasad, or a sacred food offering. However in a barter economy, it might be a token for a meal at a nice restaurant with clean food mats, cheese, bread, and beer. The animal may denote the great family associated with the establishment. Animals on seals, unicorns, rhinos, elephants, tigers, and bulls, may indicate various denominations of money or barter credit.

There may also be an alchemical code of materials, process, and apparatus: the unicorn bull is associated with Amrit, the Elixir of Immortality. (See wedding and Churning Ocean)

INDUS SCRIPT INTERPRETATION: Prescription for life. 1. Shiva tiger mat. 2. Butter churn representing linga. Tongue and spoon. Sacrificial fire ladel. Third eye tika. Eye of the needle. 3. Vishnu, upholder. Yoni. Embracer. Shakti. Butter churn vessel. 4. Wheel, churning. 5. yields.


Maha Shivrati, the 14th night. Marriage of Shiva and Parvati

PROOF OF CALENDAR SYMBOL: Maharatri: A term for the dark fourteenth of the month Maghda. (WisdomLibrary.org)

[ FIGURE **: Pashpati Shiva, Lord of the Animals, sits in meditation. His torso represents a lingam, and his legs, in yogic posture, bend to suggest a surrounding yoni, with the feet as the spout for sanctified water. The figure also suggests a calendar, with the head being the monthly holy day of Shivratri, and the bangles on the arms counting 7 days before and after the event. His triple-barbed crown suggests Shiva's trishul trident. The name Shiva can be written X| or XV. The great annual day of MahaShivratri, when the marriage of Shiva and Parvati is celebrated, and Shiva does his dance of creation and destruction is observed once per year. It is hypothesized here that the double-outlined, big X symbol represents that yearly all-night celebration of Maha Shivratri. These seals seem to momentos of Shivratri, perhaps blessed in a temple, yagya, or ceremony, and taken home to keep transmitting the vibration of healing and protection to the household. Perhaps they might be pressed into medicine wafers, holiday cookies, sweetbread, or offering pastries, temple prasad, "shewbread." [ CCH 2024-3-10 ]

Using Dravidian min star (Arabic from, therefore from the stars) and X we get a cross in the sky, possibly Orion. Waters descending to form heavenly river, Milky Ocean that is churned could refer to the Milky Way galaxy.

𓇺 Egyptian hieroglyph N12 for cresent moon, an important icon of Shiva

Shiva's day is number 14. Roman numerals X1V denote 14, and can be pronounced "Shiv". In the Pashupati seals, the glyphs actually do form XIV, Shiv.

The winged V sign has been broadly associated in this study with the god Shiva. There are versions of this sign with tiny strokes inside, perhaps sparks of life or spirit. A mathematical interpretation for this divided figure V might be fractions. The V would be a half split, and the number of strokes may be multiples or other fractions. [ For instance, \'''/ might represent 1/3. ]

In the astronomical and calendar domain, the winged V may also indicate New Moon, with a diamond glyph indicating full moon, a holiday, or a wedding.


Indus Priest/King Statue. The statue is 17.5 cm high and carved from steatite a.k.a. soapstone. It was found in Mohenjo-daro in 1927. It is on display in the National Museum, Karachi, Pakistan. Posted to Wikipedia by World66.com.

This figure of a priest-king is quite iconic of Harappan Indus culture. He has an aristocratic coolness, and a very meticulously groomed hair and beard. The bold trefoil and circle print of his toga somewhat suggests the spotted cat worn or associated with underworld priesthoods in India, Egypt, and Mexico, but is more stylized, cleverly blending a 3 and 1 geometry, which reflects the Trimurti, and is quite universal. His circle emblems imply that he is a very intelligent, all-around thinker. There may be some warmth and mischief in his hint of a inverted, ironic smile. The crack through is left eye however, is like a tear. The half-closed eyes of the priest-king exude meditative serenity. The circle motifs are resonant with wholeness, the priest-king may be a doctor or healer.

Priest-king clues: King because of crown, priest because of spotted cloak, sage because of beatific, serene gaze. Dholavira sign interpretation. Auditorium entrance: HOLY PLACE, HEAR WORD OF DIVINE KING. (Assigned star glyph to R - Re - Sun - wheel).





15

Conclusions ^



CONCLUSIONS

Hindu mythology is the key to deciphering the Indus Script. The Man, Tree, and Tiger seal has proven to be the Rosetta Stone of the Indus Script because it has been matched to a well-known traditional legend about the god Shiva, that reveals what is happening in the scene. This seal led to identification of the glyphs for Shiva, deva god, various ways to represent OM, a key icon of the three-leaf Bilva (Bael) tree, and Sanskrit punctuation. Recognizing that this tiger seal is dedicated to Shiva helps build a strong case that the Indus Valley Civilization were Pashupatinath Hindu, because man animals and Shiva as Pashupati, Lord of Animals are depicted on many seals. Shiva Nataraja, Lord of Dance is also represented.


INDUS SCRIPT LANGUAGE SUMMARY     C. Horner 2024

Glyph numbers reference Mahadevan 1977 sign list

"
Punctuation Danda stick ||   segment, repeat   ||
\   start diagonal, stop vertical   |
|   state (rolling, walking, shining, loving, being blissful)   |
text segmentation, repeat mark
Conjunction Double tick #99 Joining, union, plural
Negation Apostrophe 2689.02: swallow, not poison
See not top or bottom of Jyotirlinga
Disjunction Division #123 'J Division, knife, dagger, sword
Adjectives #211 Maha, aa
great. Immortal #194. #176: endless, infinite
Proper Nouns Shiva #342, Vishnu #347, Brahma #5, #63, #64. Parvati #65, Shakti #8, Lakshmi #17, #72; Pashupati, Adiyogi, Amrita #178, #230 Mount Meru, foreign lands, underworld
Nouns Scorpion #53: poison, argument, fighting, war. Loca, the world #391 (also light, wheel, god, heaven)
#59 a god, or an immortal Saptarishi sage
#228, #229 wedding kr kr heart heart
#267 temple, #270-#286. Yoni temple #277-#279, also ()
#301 moon
#256: damaru drum, hammer
#244: Shiva's tiger meditation mat, lingam
#242- 243 mixed compound, poison + elixir
#245 Navagraha, 9 planets
#319: conch transcendental sound like Damaru that makes the elements. Conch Shiva used to swallow poison. Ocean demon. Digestion, discernment, partially separating good and bad. Shiva's vertical third eye
Verbs Rotation Turning, churning, stirring #401, circumambulating, rotating. #54, #55, #402 swallowing
Expressions OM, OM nama Shivaya, Mahadeva, Adiyogi
Animals Bull - Shiva, strength
Tiger - Shakti, power, energy
Elephant (and Bilva Tree)- Lakshmi, wealth and fortune
Unicorn - immortality, alchemy, health
#79 Brahma swan seeking top of Jyotirlinga
#50 Nandi bull
Plants #327 sacred 3-leaf Bilva tree
#325 Pipal tree, enlightenment, Lakshmi
#290, #291 Blade of grass, Shiva's weapon for humbling gods
#367 lotus flower (or Shiva's trident), #387
lotus bud
#211: tree, forest
Body parts #375, #31 eye
#70 Shiva's third eye
#31 ear and eye, sensing, listening
#342 foot
hands #389, #331, #387
#389 wings
Legends #16 Churning of the Ocean of Milk. Gods and demons turn a mountain.
#42 Vamana the dwarf defeats demon king by growing to cosmic size
#355 Vishnu lifts the world from the bottom of the Ocean with his boar avatar327 sacred 3-leaf Bilva tree
#46 Lovely ladies Lakshmi and the Apsuras emerged from the Ocean of Milk
#61-64. Jyotirlinga. Shiva's pillar of fire. Brahma's swan avatar and Vishnu's boar avatar unsucessful in finding the end.
#54, #55, #402: Shiva swallowing #53 poison from the Ocean (#173 double Ephesus Neptune trident, Abzu ocean under the ocean) of Milk
#161 2 prong fork, restrain serpents. #162-166 trishul trident variations
#198 How Brahma lost his fifth head
#205 Nandi horn. Cornucopia of Amrit
#403-#409 damaru drum makes time. Intersection vesica piscis #403
#417 mala beads? chakras?
conch shell, transcendental sound #389, ocean demons and goddesses, drinking Ocean Milk poison
#380 jala net
#343 Ardhanarishwara, half female lord Shiva
#372, #368 Trimurti, Shiva trimurti #371 tripunda
Writing Direction [1] Toward the face of a living being
(Egyptian hieroglyph convention).
[2] Reversed for skeleton man #48
Reversed for woman giving birth #47.
Reversed for dead bird (Brahma's ego in swan avatar form
As indicated by asymmetrical glyph.
[3] Right to left.
[4] May be multi-direction or zig-zag bostrophodon for multi-head god or multiple figures.
Syntax English: SVO Skeleton-man circles Shiva and Parvati.
Indus: VSO (Circling) (Skeleton-Man) (Shiva and Parvati)
VERB: Circling; SUBJECT: 3 leg skeleton man;
OBJECT: Trident Parvati Shiva.

English: Great god
Sanskrit: Mahadeva
Indus: 211 (up arrow, tree, adj: great), 59 (fish, god)
MODIFIER: Great; NOUN:God.

English: First yogi
Sanskrit: Adiyogi
Indus: 211 (up arrow, tree, adjective: great), 161 (yoga danda, mantra bead hand, elbow support stick)
MODIFIER: First; NOUN: Yogi.



Adiyogi wrestling with tigers, which represent the opposing, wild, forces of one's own nature. The scene also represents Shiva Pashupati, lord of animals. He is part of the animal family, playing with tigers and embracing them.


DIRECTIONALITY. The Indus Script uses the same writing direction convention as monumental Egyptian hieroglyphs (C Horner 2024). A living being, god, or animal sets the direction. Text is read towards the face. In Egyptian monumental architecture, a two-way writing option is needed for balanced presentation on either side of doorways. Many characters are symmetrical, but the canonical direction of asymmetrical glyphs is determined from their placement on a seal with an animal or god. In Indus Script, the dead bird representing the conquered ego (#51, #52 Brahma Jyotirlinga swan) and corpse #48 face backwards. A woman in birth position #47 also faces backwards because the baby beginning life faces forwards. In this slide, the direction of the Endless ladder, avatar, Bilva tree, scorpion, dead bird, and cow leg is established. 2024-5-13




INDUS SCRIPT SYNTAX:
Shiva swallowed the flow of poison from the Churning of the Ocean of Milk.
244 402 180 97 53 / 216 254
SHIVA
tiger mat / lingam
SWALLOW FLOW OF / giving
/ negating
POISON
scorpion poison
tug-of-war, symbolizing
Churning of the Ocean of Milk
SUBJECT VERB OBJECT prep/ neg
verb
object modifier
"of poison"
object modifier
"from the tug-of-war
(Churning of the Ocean of Milk)"


The legends provide guidance about what icons to expect, and which variations are significant. For instance, variations of glyph #15, Shiva the water-bearer, are equivalent, but rounding the upright fish glyph #59, meaning deva god, is a nuance which is important, since is indicates additional meaning of Mahadeva great god, enlightenment, and OM. Because of nuance and multiple meaning oth the original image of the seal and indexable transliteration statistics are important to understanding.

This study concludes that the Indus Script has full linguistic capacity. Nouns such as deva god (#59), moon (#293), and temple (#267); and proper nouns such as Shiva #342, Vishnu #347, and Amrita Elixir of Life (#178, #179) have been identified. The verb for rotation, circumambulation, or churning is glyph #391, which represents a chakra wheel, or loca world. Icons of the gods include Shiva's trident #371, and damaru drum (#405 #409). A verb with a repeated or ongoing action can be indicated with repeated strokes #96, such as when Vishnu's boar avatar was digging, and Brahma's swan avatar was flying. @PillarofFire2.

The adjective great (#211) was one of the first Indus words to be decoded. Glyph #176, a measuring rod, indicates infinite or endless.

The conjunction and is represented by a double apostrophe #99. While glyph #99 indicates joining, the dagger knife #123 indicates separation. The single apostrophe #97 is the verb giving.

Proto-Sanskrit letters such as va #402, and "a" are part of the Indus Script. Danda stick Sanskrit punctuation which divides verse and signals a repeated mantra are employed. This device can also indicate repeated ongoing action, as in walking #85; rolling, rotating, or shining #392; or saying a mantra using mala prayer beads #416. Danda sticks resembling the thick batons used by players of giant kettle drums @ @, @vid, complement the aspect of Shiva as the drummer, rhythm, and punctuation-maker of the universe.

Important Sanskrit expressions such as Aum, Mahadeva, Ardhanarishwara, and Adiyogi, Shiva's epithet as first yoga master have been discovered to be spelled out alphabetically. Ideograms are also extensively used. It may be possible to use the rhebus principle, in future work, to decode words and names, however, because Shiva worship involves negation of the ego, people may have foregone public names and instead employed a temple mantra, icons depicting great deeds of the gods, to identify themselves. This would explain why, despite demonstrated advanced engineering skills, no great monuments or palaces are associated with the culture. Their goal is to transcend materialism.

    Lexicon
  • SHIVA
  • VISHNU, conch
  • OM + OM-kara reverberation, several forms of AUM!
  • nama
  • Mahadev
  • Adiyogi
  • Pashupati
  • Ardhanarishwara
  • Hari / Hara
  • scorpion, poison
  • Aquarius sash
  • and / joined "
  • divided / knife 'J
  • Infinite, endless: E
  • Amrita: A
  • Sanskrit consonant V
  • Sanskrit A
  • Sanskrit danda stick punctuation

Because seals are used to print images and make impressions, they are negatives, or images in reverse. In this study, the Egyptian hieroglyph reading convention is used: one reads towards the face of a sentient being, such as a god, an ox, or a unicorn. With multiple-head gods or more than one being, it is possible that two-way or bostrophodon (zig-zag back and forth, as the ox plows) format has been used. Some letters, like the proto-Sanskrit va consonant, have a leading, protruding nose side, and a flat back side. These assymetrical characters can also be used to determine reading direction.

The Indus Script was discovered in 1924. Since then, it has eluded interpretation. In 2004, a hypothesis was advanced that the script was not linguistic, and a challenge reward valiantly offered for falsification of the claim. It is now exactly 100 years since discovery, and 20 years of the challenge. In the week leading up to MahaShivratri 2024, this breakthrough in the understanding of the mysterious Indus Valley Script was achieved.

A Rosetta Stone for the Indus Script has been discovered in 2024. The legend of Lubhdaka: man, tiger, and tree enables interpretation of multiple tiger seals. Hindu mythology provides a parsimonious and comprehensive paradigm for interpreting the Indus Script. It has predictive power. With the hypothesis that the Hindu mythology and the god Shiva is a dominant theme, one could predict a trishul/trident and other glyphs. Future research might analyze the most important legends and looks for related icons. Because of numerous linguistic features of the Indus Script, a falsification claim is made with respect to the non-linguistic hypothesis of Farmer et al. This is an exciting time, because with new perspectives, further discoveries into this intriguing language and artistically and technologically accomplished Indus Civilization can be anticipated.


OBSERVATIONS:

This study identifies the Indus Script * as proto-Sanskrit because the following have been identified:

  • The language observes VSO verb subject object order: "The man circles Shiva" would be written CIRCLES MAN SHIV (Tale of the Three legged man).
  • The wheel or chakra can serve as the verb rotate or circle.
  • Danda stick punctuation marks for dividing repeated mantra verses
  • Danda sticks can function like repeat signs in musical notation.
  • The Sanskrit consonant "va," for Vasuki, the serpent around Shiva's neck CCH2024-3-13@18:18
  • OM omega / va / moon boat, lunar barque of the sun above the OM symbol, Sunrise / sunrise / Venus
  • A long stroke representing "a" as in Sanskrit
  • \' means "for" or "to"
  • Single stroke as literal marker like Egptian (chakra / pizza glyph)
  • " double tick is pronounced ii or y
  • " double tick means and, or union of
  • " double tick means plural
  • " double tick means "of"
  • " double tick means "ly", "(*) means heavenly or of heaven?
  • fish glyph is pronounced Di as in deity or adiyogi (Tiger wrestler seal)
  • aH suffix indicating masculine noun
  • Double tick " particle ya, a preposition meaning for, as in Shivaya, for Shiva.
  • Double tick ", the second most frequent symbol, as a plural indicator
  • Double tick " can serve as the conjunction "and"
  • 47 - 48. Noose is called Pashu, which would be an abbreviation for Shiva Pashupati, Lord of Animals
  • Egyptian writing direction is into the face of a living personi or being. Some letters are anisotropic, have directionality, like va.
  • Egyptian use of a stroke to indicate ideogram is literal
  • Egyptian hieroglyph O10A, hwt temple hieroglyph is used, diamond shape
  • Egyptian djed pillar relates to Sage Dadhichi, whose backbone was used to make Indras weapon
  • Egyptian mr, related to Amrit, plow shaped glyph with rake and seeds
  • Egyptian scorpion king possibly connected, also a king of death, like Osiris.
  • Egyptian word aa for great allows alphabetic reading of ADIYOGI, first yogi, a title of Shiva, in tiger wrestling seal.
  • Egyptian river is the Nile; This root means blue in Sanskrit, as in Shiva, the blue throated one.
  • Egyptian hieroglyph for East appears in Indus Script.
  • Egyptian hieroglyph F5 𓄗, ox leg: repeating action, to tell a story, to interpret a dream. Compare to Indus glyph #85
  • Egyptian hieroglyph for good and beautiful, nfr. Compare to goddess Saraswati instrument.
  • DRAVIDIAN phonetic values such as min for star and fish (Parpola 1994, Deciphering 182) are applicable and offer independent insight and translation pathways
  • ELAMITE phonetics (Francois Desset) considered


    Lawler, Andrew (2022). Have Scholars Finally Deciphered a Mysterious Ancient Script? Smithsonian Magazine

  • BONTA, Steven phonetics computed from text patterns, repetitions, adjacencies
  • alphabetic reading, AUM, SANG MIN DEVA, seed, blood of the gods, for example (Siva/Samek, Astra, Ankh, Neelakantha, Ganga, min, deva, not linked yet M77 pg 1-3?)
  • Osiris phallus, Greek god Uranus, Shiva lingam, set connection possible
  • Both structured syntax and flexible use, consistent with linguistic expression
  • Mathematics, calculations, measurements, and grids may be denoted by the rake sign (ICIT-415) / man holding rake up
  • Masculine suffix H Maha Deva Yogi seal H??
  • Feminine suffix T, Fish with carret ^ hat is goddess?? Up arrow means great, also tree, forest sage. T/D sound, like feminine T suffix in Egyptian, French.
  • Inscriptions with repeated letters, like the Dholavira sign are probably alphabetic messages
  • The inspirational religious seals are meta-linguistic ideograms, excellent for communication between languages
  • Adjective for great, an up arrow, which frequently appears first
  • Up arrow, great, can be read as a T, or Maha, like a great forest tree (Maha Rishi / Sages of the Forest)
  • This study focuses on interpretation of Indus Script as god Shiva iconography. An Elamite-derived alphabetic transcription with independent but complementary message has been proposed (Mishra, P)



Indus Script glyph frequency table

Legend (C Horner 2024):

#342: SHIVA symbol.
#99: AND, joined.
#287: Shiva lingam shrine.
#59: deva god.
#87: Danda stick || punctuation which divides text || and indicates repeat. The || symbol can also represent a union of opposites (both unity and division), or a lingam.

Figure 3 from Yadav, Nisha (2010). Statistical analysis of the Indus Script using n-grams.


Excerpt from: Yadav, Nisha (2010). Figure 3 and accompanying text. From: Statistical Analysis of the Indus Script Using n-Grams. PLOS One. [pdf]


[[Statistical Table. Horner]]


According to a statistical analysis of the entire Indus Script corpus performed by Dr. Nisha Yadav, there are four signs that are distinctly the most frequent. First is the sign that is identified in this study as the emblem of Shiva, the winged V. It is a mark placed on the third eye position of the forehead of a devotee. The proto-emblem is a comination of the Shiva and Vishnu tilkas that are still employed today. Next are the double tick sign that is hypothesized here to be a grammatical device, a preposition for, conjunction and, or plural marker. Next was the upright fish sign for god or rishi sage. Third is the danda stick punctuation mark that was identified in this study, which marks breaking points in text, and repeat marks for Sanskrit prayers, mantras, and verse. The fourth most prominent is the diamond shape that is interpreted here as full moon, the monthly holy day of Shivratri, or Amrita, the Elixir of Immortality. The interpretation of Indus signs was done by Celeste Horner independently. It was exciting to see that the signs which naturally appeared the most prominent were statistically significant. These frequency analysis perfectly matched prediction from a hypothesis that the Indus Script was developed by people who worshipped an early form of the god Shiva.

Glyphs could be icons which form a temple-name consisting of highlights of the deeds of the gods, assigned to a person like a mantra. The glyphs could easily be assigned sound values and creates words using a rebus system. The diaspora of Hindu belief creates shared ideas which can be interpreted into local dialects. Repeated glyphs and most frequent glyphs could be used to statistically match patterns to candidate languages.

Rules for parsing the Indus Script have emerged from this study: [TODO: Photo examples of parsing / grammar rules, Lubdaka, 7 sages, MahaShivrati Pashupati water god, Pakistan glyphs, more]

  1. There is a punctuation mark: a Sanskrit device known as a danda stick, or double danda stick, which divides text into sections or verses.
    || can also mean light, love, marriage, merged body, half male and female, as in Shiva and Parvati/Shakti, sages walking stick, lingam with annointing fluid streaming down
  2. The double tick is a plural, conjunction, or means "and". It will be adjacent to a noun.
  3. The up arrow means great, and will precede a noun, and is often first in an inscription.
  4. \' means "for" or "to"
  5. " double tick means "of"
  6. " double tick means "ly", "(*) means heavenly or of heaven?
  7. ||||| 5 strokes (sign 35) indicates repeated action, English -ing suffix as in present participle, as in flying, digging, growing ||||| Y
  8. aH suffix indicating masculine noun
  9. The language is multi-directional. It is read towards the face of a god, person, or animal.
  10. Winged V (aka jar) is the symbol for the god Shiva, the theme of the culture.
  11. The upright fish are derived from the vertical 3rd eye, and mean god, rishi, or sage
  12. The baseball diamond glyph means full moon, date, marriage, or Amrita.
  13. Numbers are denoted by short strokes.
  14. Knowledge of vedic literature is necessary to interpret the symbols.
  15. This study has found an Indus Script glyphs make allusions to the following Hindu literature:
    • Legend of Lubdaka, the man, tiger, and tree
    • Samudra Manthan, the legend of the Churning of the Ocean of Milk
    • Legend of the Marriage of Rama and Sita ||
    • The thousand lotus sacrifice of Lakshmi
    • How Brahma lost a head, the mystery pillar of Shiva [TODO: img]
    • Three-leaved Bhel tree fronds are placed on Shiva lingams
    • NaraSimha, the man lion
    • Pashupati, Lord of Animals. Indus Civilisation is Pashupatinath
    • Pashupatastra weapon of Shiva
    • Nataraja, Lord of the Dance
  16. The symbols tell stories using meta-linguistic symbols; great for communication between different cultures
  17. Multiple cultures used the Indus Script and may have made alphabetic assignments to spell words
  18. If the Indus Valley Civilization focused on the worship of Shiva, they would be oriented to liberation fro the world and would minimize ego. That is why elaborate temples and palaces were not found even though a high degree of civil engineering and running water public works were built. A simple stone or natural grotto or forest can suffice for Saivite worship. Instead of having a personal name, they might compose glyphs representing the deeds of Shiva which uniquely represent their aspirations. They would have temple names rather than personal names. Nevertheless, a letter value could be linked to the mythology icons to create messages and names.
  19. Writing in the Indus was much more casual than Egyptian society where trained scribes employed drafting techniques. Since Indus writing often ran out of space and was cramped on one side of the seal, it implies that writing was spontaneous, not a pre-planned, professional, formal act in some cases. Duplication of seals however, indicates some specialization also.
  20. Coherent transcriptions have been made using Elamite values of the glyphs.

PURPOSE: Determination of how the seals were used will depend on archaeological evidence. Are they found in elite residences, modest homes, libraries, communal spaces, storage areas, or tombs? The small size of the seals is appropriate for currency; message security and authentication; and record-keeping such as name registry, astronomical dates, genealogies, agricultural yields, weather, and birthdays. The small seals might have been treasured as personal spiritual amulets and mini-books for teaching stories to children. Adult spiritual disciples could contemplate the meaning of the glyphs on deeper levels. The seals might have been impressed into fortune cookies or holiday pastries or have been hidden and baked into temple bread and distributed as prasad, which, once blessed and received, could have been believed to grant healing, protection, inspiration, and oracular guidance. The seals are known to have been used to imprint clay tags on the wrapping of bundles of goods. The conclusions of this study would deduce that many of these goods were consecrated for use in Shivaratri observances. (X = Shivaratri or Shiva. Double tick means for). The text says, " X, for Shivaratri. (Hindu equivalent of Jewish kosher).

PRASAD - food which is gratefully consumed after first offering it to god. Seals - consecrated - for administration of temple resources. Ego disappears - I am serving god through my best action, contemplating god continually.



The elephant represents Lakshmi, Goddess of Fortune.
It symbolizes the auspicious removal of obstacles and
abundance of treasure and blessings


Indus Valley people may have used seal images representing legends and mythical and real beasts for divination and personal guidance.
ANIMAL AUGURY, SYMBOLISM OF ANIMALS ON INDUS SEALS, life lesson potential:

  • Unicorn: HEALTH, Amrita, elixir of life. Cornucupia horn: wealth, fortune.
  • Bull: STRENGTH, ENDURANCE, LOYALTY.
  • Tiger: VIGOR, ENERGY, SUCCESS.
  • Goat: Caution, karma, Wisdom, Mountain heights, Golden Age. Shiva restored the life of the father-in-law who rejected him, but replaced his head with a goat, and he became a great devotee.
  • Elephant is Lakshmi, Fortune.
  • LION Parvati (Egyptian Hathor Sekmet). Protection, valor, loyalty, honesty
  • Man with 2 bows: WAR on all sides
  • CHURNING OCEAN - Teamwork, even work with enemies!
  • MAKARA, hybrid mammal-fish, elephant-nosed, mustachioed, dragon-fish, star-crossed love, god-human, demi-god, adventure
  • BANGLES: glamour, beauty, wealth
  • ASTRA / weapons. Defend family and home, awe of the gods
  • HONESTY: Swan (Brahma in swan form lied about finding the top Shiva's pillar of fire)
  • DISCERMENT: Swan reputed magical ability to separate milk and water, truth and illusion, elixir from water
  • LESSONS BRAHMA LOST HEAD: vanquish ego, be honest
  • VICTORIES OVER EVIL
  • OMNIPRESENCE OF DEITY: Jyotirlinga, Vishnu lion-man splits pillar
  • OCEAN OF MILK. Poison with elixir, coping with problems of life, team-work
  • VAMANA THE DWARF: Don't be fooled by appearances, respect
  • SACRIFICE and DEVOTION
  • Bilva tree and || union symbol. LOVE, UNITY, LOYALTY, MARRIAGE


A Rosetta Stone for the Indus Script has been discovered in 2024. The legend of Lubhdaka: man, tiger, and tree enables interpretation of multiple tiger seals. Hindu mythology provides a parsimonious and comprehensive paradigm for interpreting the Indus Script. It has predictive power. With the hypothesis that the Hindu mythology and the god Shiva is a dominant theme, one could predict a trishul/trident and other glyphs. Future research might analyze the most important legends and looks for related icons. Because of numerous linguistic features of the Indus Script, a falsification claim is made with respect to the non-linguistic hypothesis of Farmer et al. This is an exciting time, because with new perspectives, further discoveries into this intriguing language and artistically and technologically accomplished Indus Civilization can be anticipated.



16

References ^



Dravidian and Indus Valley Script (lecture) by Professor Asko Parpola

Corpus of Indus Seals and Inscriptions



REFERENCES

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Celeste Claire Horner 2024-3-9 (statistical analysis added), UPDATED 2024-4-11 ,2024-3-8, 2024-3-6, 2024-3-5 DRAFT celeste.horner@gmail.com | celeste@digitalthought.info