Indus Script decipherment with Hindu god Shiva legend of Lubdhaka and the tiger

Indus Script deciphered with Hindu Mythology: glyph #16
GODS AND DEMONS TURN A MOUNTAIN FOR THE ELIXIR OF IMMORTALITY

Figure 1. Indus Script glyph #16 deciphered by Celeste Claire Horner 2024 as Samudra Manthan, the legend of the Churning of the Ocean of Milk. Indus glyph from Mahadevan 1977 concordance.

Indus Script glyph #16. @@@ Legend of the Churning of the Ocean of Milk.

CURSED BY A POWERFUL SAGE, the Devas (the gods), suddenly lost their powers, immortality, and wealth. Sage Durvasa, whose name means "hard to live with," angrily cursed the gods because his gift of a holy flower garland was dropped and trampled by an elephant *. The only way to recover from this embarassing catastrophe was for the Devas to cooperate with their arch-rivals, the demon Asuras. Both sides were eager for power, and plotted to cheat their opponents, so together, they cooperated to turn Mount Mandara back and forth like a butter churn (#16) in the mystical Ocean of Milk in order to obtain magical treasures and Amrita, the elixir of immortality.

Legend continued: Battle of snake king vs wind god. Shiva swallows Ocean of Milk poison to save the world. Treasures and beautiful maidens emerge from the Ocean of Milk. Devas and demons battle. Indus inscription translations.

INDUS GLYPHS RELATED TO THE CHURNING OF THE OCEAN OF MILK

Mount
Mandara tug-of-war churn Endless
deep Amrita
elixir scorpion,
poison wheel
/god crescent
moon trident Shiva

DRAFT celeste.horner@gmail.com 2024-6-19 10:18p HIDDEN SYMB⨁LS IN THE ALPHABET CONTENTS 🎵 🎵 pg 2 L Lubdhaka | Samudra Manthan | Jyotirlinga | Hyagriva | Vamana | | Ardhanarishvara | Adiyogi Pashupati | Nataraja | Narasimha | Bael/Bilva |
Legends page 2: Sati | SaptaRishi Seven Sages | Dadhichi bones | Matsya | Kumaras @ . . | Descent of Ganga | Scorpion | Frog | Marriage | Grass #290-1 | Alchemy | Singularity

[2] 16 [48] [53] 59 245 81 123 [176] 211 214 [] [342] [391]
12 47 [50] 55 [62] 65 [85] 99 @ 124@ 127 @ [162] 171 173 175 . [178] [180] (194) 225 252 254 [267] [293] (341)@ [347] [389] [402]
numbered | glyph | Interpretation | Mantra | Sign list & Concordance | Frequency /M77 | Danda | Conclusions | References

Harappan priest king, c2000 B.C.

Indus Script deciphered with Hindu mythology
Rosetta Stone discovered: Tiger seal with legend of god Shiva

by Celeste Claire Horner, 2024

C. Horner with hotpot.ai

T
HE ANCIENT INDUS VALLEY CIVILIZATION was in its prime around 2600 B.C, contemporary with culture flourishing in Mesopotamia and China, and at the same time as pyramid building in Egypt. Its urban center of Mohenjo-daro had engineered running water and public pools. Its population of 50,000 was the largest on Earth. Mysteriously, Indus script disappeared from use about 1800 B.C. It remained undeciphered for centuries because a multi-lingual translation had not been found. In February 2024, a breakthrough was achieved. Project Shivoham matched the traditional legend of Lubdahka and the Tiger with eighteen terracotta seals (Possehl, 2008) which depict a tiger looking at a man in a tree. The principal author recognized the tale as one his mother told him as a child. The legend reveals the context of the scene. Trapped by a wild tiger, the hunter Lubdaka is forced to spend a whole night in a sacred Bilva (Bael) tree. He prayed, fasted, and sprinkled tear-moistened holy leaves on a Shiva lingam below the tree. This happened to be performed on the yearly holy night of MahaShivratri when the marriage of Shiva and Parvati is observed with ritual annointing of a Shiva lingam, all-night prayer, meditation, and celebration. Greatly pleased by these devotional actions, the god Shiva blessed Lubdkaha with a safe return home and bliss in his glorious paradise.
The legend of Lubdhaka and the Tiger was the Rosetta Stone of the Indus Script. Insight from this legend sparked the great "Eureka moment" for Celeste Claire Horner, a retired librarian and independent researcher of comparative language and symbology. The long-sought interpretation key provided an independent account of the meaning of enigmatic Indus inscriptions. An American raised in the United States and Canada in a home oriented to world culture, with both the Bible and the Bhagavad gita on the bookshelf, Celeste was able to recognize allusions to Hindu philosophy and mythology in Indus Script artifacts. Examining the tiger seal, she employed a prior meta-language research discovery that the upright fish @ @ Indus sign #59 was a god symbol. It represents Vishnu Matsya, Oannes, Dagon, the ICHTHYS fish of Christianity, intersection of circles in geometry, the vesica piscis, and the Pisces constellation. Celeste deduced that the winged V Indus sign (#342), the most frequent glyph, was a third eye forehead tika sign, a cobra mark, and SHIVA SYMBOL. Suddenly, a huge light illuminated the mystery of ancient Indus Valley civilization.
This discovery meant that the god Shiva was the central theme of the Indus Valley culture. Many seals featuring fantastic beasts, such as unicorns and elephant serpent chimeras, show that the trading, farming, and herding society particularly venerated Shiva Pashupati, Lord of Animals. The Indus Valley people were Pashupatinath Shaivites. Their writing system, the Harappan or Indus Valley Script, is composed of icons which represent legends of Hindu mythology featuring Shiva and other deities.

Symbols of Shiva in the Indus Script

Shiva meditates seated on a tiger skin. His icons are represented in the Indus Script. His hour-glass shaped damaru drum is #214, and his trishul trident appears in characters #162-#165 and #365-#372. The tiger, on which he sits is an animal featured on numerous seals. Shiva carries a horn (glyph #37) symbol of his bull mount Nandi, of his throat which consumed poison, and a drinking horn of blessing and plenty. [2] Samudra Manthan: Churning of the Ocean of Milk, and the treasures which emerged. Patala. Sanskrit foot pada.

2

Indus Script deciphered with Hindu Mythology
MATSYA: UNICORN FISH AVATAR OF VISHNU

Indus glyph #62
MATSYA:
unicorn horn
fish avatar
of god Vishnu
saves Manu
and the
7 sages
from the flood.

THE HINDU SAGA
Matsya legend video

RIGHTEOUS KING MANU RESCUED A TINY FISH he saw during his sacred ritual bath at the river. It begged him to rescue it from the hungry larger fish in the river. King Manu put the fish in a pot and took it to his palace. By the next day, the fish had outgrown the pot, so the king placed it in a pond. The following day, the fish had grown so large, that the king commanded his servants to move the fish to a lake. By the next day, the fish had outgrown the lake, and was transferred to the ocean. The king realized that this was no ordinary fish, and asked for the meaning of the miraculous manifestation. The fish revealed that it was Matsya, an incarnation of the god Vishnu, preserver of the universe. It three days time, it warned, the land would be ravaged by a devastating flood. The king was to gather the 7 sages, herbs, and animals, and board a boat that would be provided. At the appointed time, a boat, towed by Matsya, the fish arrived. Vasuki, king of Naga serpents, acted as the towing rope connecting the boat to the horn of Matsya. During the flood, Matsya instructed Manu in the seven sages in the Vedas. With this new wisdom, Manu and the seven sages reestablished civilization.

Fish glyphs in the Indus Script

Interpretation of the fish glyphs of the Indus Script as god names

DEVA
god Vishnu
Matsya Brahma
avatar goddess
Parvati Shiva Shiva
3rd eye goddess
Lakshmi SHIVA
symbol Shiva
linga

Indus god symbols: Glyph #59 is the generic symbol for a god. Glyph #62 is the 1st avatar of god Vishnu is a giant fish with a unicorn horn which pulled the ark which saved Manu from the Flood. Glyph #64 refers to the bird, or swan avatar or vehicle of Brahma. Glyph #65 indicates goddess Parvati, wife of Shiva. Parvat means mountain, and this glyph is capped with a mountain peak. Symbols for wife in antiquity often include a roof for the home. Glyph 72: fish glyph of Lakshmi, goddess of fortune, pouring wealth and blessing. Glyph 70: the destroying 3rd eye of Shiva. (Celeste Claire Horner, 2024).

Mesopotamian fish deities Oannes and Dagon

Indus glyph #59
upright fish god

UPRIGHT FISH: With his fish avatar Matsya, god Vishnu rescues the 4 Vedas (embodied as 4 young people) from the sea-demon, and restores them to the 4-headed god Brahma.

PBS Nature. Patrick and the Whale: Sperm whales resting vertically

Why the fish? Represents immortal being from primordial waters of the Causal Ocean. Age of Pisces, duality. Vesica piscis sacred geometry. Constellation.

Indus glyph #72
GODDESS LAKSHMI:
goddess of fortune
pouring blessings

List and concordance of 417 Indus Script signs. Mahadevan (1977)

List and concordance of 417 Indus Script signs. Mahadevan (1977)

Indus glyphs video
National Fund for Mohenjodaro (2017). Preview of Indus Script Font released on Mohenjodaro Conference 2017. {Meditative music video. Glyphs tumble into view}

INDUS SIGN INTERPRETATION

@
List of 417 Indus Script signs with description by Celeste Horner CCH 2024

Hindu mythology legends in the Indus Script

3

Lubdhaka and the Tiger

Figure 1. This seal the Rosetta Stone of the Indus Script because the picture on it has been matched with meaning from the legend of Lubdhaka and the tiger about the Hindu holy night, MahaShivratri.
TIGER SCARE LEADS TO A NIGHT OF PRAYER. Chased through a forest by a wild tiger, the hunter Lubdhaka took refuge in a sacred Bilva (Bael) tree. He spent the night fasting, praying, and sprinkling holy Bilva (Bael) @ @ leaves on a sacred lingam stone below the tree. The Indus script danda stick repeat marks indicate that he continuously recited the mantras AUM Shiva Mahadev, "OM Shiva, great god," and "OM, nama Shivaya," I bow to the divine Shiva, while scattering holy leaves from his hand. [Reading the mantra]. As a result of accidentally fulfilling this ritual on the holiest night of the year, he pleased Shiva and earned a safe return home and glorious admission to paradise. This legend reflects ancient religious practice which still continues to be a living spiritual tradition the current day. Shiva devotees aspire to accomplish this ritual on MahaShivratri at least once in their lifetime: a day of fasting, and a night of wakeful meditation.
The tiger seal, created around 2000 B.C, demonstrates that the long history of MahaShivratri spans the thousands of years. MahaShivratri is still a living spiritual tradition. Hindu gurus still urge their followers to make the effort to stay awake the whole night of MahaShivratri (Sadhguru: [solar potter's wheel metaphor, 2021 ; [Sadhguru hosted the president of India for MahaShivratrirituals at Isha Yoga Center, 2023.) (@) to absorb the spiritual energy on this occasion, the anniversary of the divine marriage of Shiva and Parvati. Devotees annoint a Shiva lingam with flowers, Bael (Bilva) leaves, and milk. They meditate, pray, listen to sermons and stories, chant mantras, and celebrate with dance and music. Lubdhaka had a life-threatening wild tiger (a symbol of Shiva) as his incentive to stay awake all night and pray!

(Om, nama Shiva Mahadevaya)
((OM)), I bow to Shiva, great god

59

temple
OM-kara repeat / and
reverberation give bow
"nama" repeat
Danda SHIVA Shiva
linga mouth
"va" DEVA
god Mahadev
OM

Pictographic literature has numerous layers, nuances, and alternate pathways of parsing and interpretatation. Traversing symbols in various ways weaves additional detail into the message. A revolutionary method of communication accessible as picture-writing or text for the literate, the composition can be read as symbols or phonetically in one or more languages. Words are read toward the face of a living being. If there are multiple faces, additional bi-directional encryption may be encoded. Danda stick punctuation indicates repeated mantra and Bilva leaf offering to the Shiva lingam
.
Ingeniously, there are multiple pathways of interpretation for this pictographic composition. Read towards the face of 2 living beings, it can be divided in two: A repeated Shiva deva enclosed by danda sticks; repeating giving to the linga facing the tiger. Reverberating (#99) OM-kara, universal cross-roads and cosmic seed. Leaves suggested in multiple ways, leaf shape of #284, bits #97, #99, steam and leaf #402.
Legend identified by Project Shivoham and glyphs interpreted by Celeste Horner in February 2024.

.
Reciting the legend of Lubdhaka during MahaShivratri is a tradition among Hindus of Bali.
YuniKusuma 2024 Budayabali.com

THE MAN, TREE, AND TIGER SEAL: THE ROSETTA STONE OF THE INDUS SCRIPT

* STARS ON THE NIGHT OF SHIVA *

Figure 2. A second variation of the man, tree, and tiger seal. Celeste Horner used the information that the Lubdhaka legend occurred at night of MahaShivratri to deduce that the water carrying man and dots in the sky were stars and the constellations of Aquarius (bringer of the rainy season) (or Ophiuchus, serpent wrestler, center of galaxy), the Pleiades (in Hindu mythology, the wives of the 7 sages), and Orion (which has the hourglass shape of Shiva's damaru drum which creates Time). Tiger seals: Mahadevan 1977. Tiger graphic by C. Horner with Hotpot.ai. Harappa.com: Buddhist Stupa

4

Shiva and the pillar of fire, Jyotirlinga

Image credits: Metropolitain Museum and Indianholiday.com

Indus Script deciphered with Hindu Mythology: glyph #2
The god Shiva emerges from the Jyotirlinga pillar of fire

Indus Script glyph #2. JYOTIRLINGA PILLAR OF FIRE // HOW BRAHMA LOST HIS FIFTH HEAD. A dispute arose between gods Brahma and Vishnu over who was the greatest. Suddenly, an enormous pillar of light and fire blazed up between them. They agreed that whoever could discover the end would be declared superior. Brahma transformed into a swan and flew upwards. Vishnu in the form of his boar avatar dug down towards the netherworld. Both gods searched, but neither could find the end of the pillar. When they met again, Vishnu admitted truthfully that he failed to find the bottom. Brahma, however, lied and produced a flower that he said came from the top. Just as Vishnu was about to bow to him, the god Shiva emerged from the pillar in a rage, and with a blade of grass, sliced off the 5th head of Brahma which had swollen his ego and caused him to lie. It was then apparent that Shiva was the supreme deity. On another occasion, the devas, feeling strong after consuming the Amrita elixir of immortality, became overly arrogant. Shiva challenged them to cut down a blade of grass. They all failed, because the blade was infused with the power of Shiva's infinite linga, and their overbearing egos were humbled.

INDUS GLYPHS RELATED TO SHIVA'S JYOTIRLINGA PILLAR OF FIRE

•
0

fire
pillar wings Vishnu
boar avatar Brahma
bird avatar Brahma
bird avatar headless
bird Brahma
swan Endless nothing Brahma's
5th head Jyotirlinga
temple grass
pillar boar
tusk

GLYPH #2: JYOTIRLINGA - GOD SHIVA EMERGES FROM A PILLAR OF FIRE

Indus Script glyph #2. @ HOW BRAHMA LOST HIS FIFTH HEAD. A dispute arose between gods Brahma and Vishnu over who was the greatest. Suddenly, an enormous pillar of light and fire blazed up between them. They agreed that whoever could discover the end would be declared superior. Brahma transformed into a swan (#63, #64) and flew upwards. Vishnu in the form of his boar avatar (glyph #62, also Matsya god fish with tusk) dug down towards the netherworld. Both gods searched, but neither could find the end of the pillar. When they met again, Vishnu admitted truthfully that he failed to find the bottom. Brahma, however, lied and produced a flower that he said came from the top. Just as Vishnu was about to bow to him, the god Shiva emerged from the pillar in a rage, and with a blade of grass, sliced off the 5th head of Brahma which had swollen his ego and caused him to lie (#79, headless bird #83, #198, #51, #52). After that, it is was apparent that Shiva was the supreme deity. Jyotirlinga (radiant linga) shrines (#267, #270-283) across India are honored as emanations of this first manifestation of Shiva as a cosmic pillar of light (#61).
Shiva Puranas, Chapter 7
Concordance entries for glyph #2: @ | @ ♣ | Glyph #2 info page

Unicorn seal: Reading towards the face: Eye, glyph #397 representing the vertical up and down search by Brahma and Vishnu for the end of the Shiva lingam of fire, Jyotirlinga. The eye represents the third eye of Shiva dwelling in the pillar. Dead bird glyph #51 represents Brahma swan avatar. Brahma is beheaded for lying. Jyotirlinga shrine, glyph #267. (Compare to Egyptian hieroglyph O5, temple. Sanctified altar square within a square.) Glyph #402 is the digging claw or hoof of the Vishnu boar avatar which attempts to find the bottom of the pillar. Short stroke: Give/yield, also negation, apostrophe, something missing -- there is no end of an infinite pillar.

5

Churning of the Ocean of Milk, Samudra Manthan

Treasures of the Ocean of Milk

Shiva swallows poison to save the world

SHIVA SWALLOWS POISON TO SAVE THE WORLD.
Churning of the Ocean of Milk legend written in ancient Indus Script, c 2000 B.C.

SHIVA SYMBOL. Glyph #342:

SHIVA'S TRIDENT. Glyph #162: trishul

SCORPION. Glyph #53: Poison from the Ocean of Milk

CONCH #389: Shiva drinks the Ocean poison from the sea shell

CHURN. Glyph #252: Churning vessel and churning rod.

MOUTH #402: Shiva swallowing poison.

(Credits: Indus glyphs and inscripions from Mahadevan 1977. Inscription #2312. Shiva drinking poison: Hindu Heritage, Facebook. Shiva in ocean graphic by Celeste Horner with hotpot.ai. C. Horner 2025-5-14.) Cobra image by Ganesh SahSudi - Own work, CC BY-SA 4.0, commons.wikimedia.org

INDUS SCRIPT SYNTAX: Pakistan Indus Inscription Blk-4-A (Mahadevan 1977)
Shiva swallowed the flow of poison from the Churning of the Ocean of Milk.

244 402 180 97 53 / 216 254

SHIVA
tiger mat / lingam SWALLOW FLOW OF / giving
/ negating POISON
scorpion poison tug-of-war, symbolizing
Churning of the Ocean of Milk

SUBJECT VERB OBJECT prep/ neg
verb object modifier
"of poison" object modifier
"from the tug-of-war
(Churning of the Ocean of Milk)"

3

Horse-head gods and demons, Hyagriva

GLYPH #6: HYAGRIVA, THE HORSE-HEAD GOD OF WISDOM

A HORSE-HEAD DEMON STOLE THE VEDAS, wisdom scriptures, from the four-headed creator god Brahma (glyph #5). This Danava demon was called Hyagriva, meaning horse-head (Indus Script glyph #4). He had heard that after the Great Flood, gods planned to share Vedic wisdom with humans, which would put them on par with the gods. He jealously wanted to prevent this. He had obtained a boon that he could only be defeated by another horse-head hyagriva, and he was the only one. The Vedas were embodied as four children, and the demon abducted them by first enticing them with his horse disguise, and then abducting them to his lair below the ocean. Gods, including Vishnu battled the demon Danava to recover the Vedas, but returned exhausted and defeated. Vishu was so tired, he fell asleep on a bowstring (#7). In accordance with destiny, a termite (#57) gnawed through the string and the cable snapped, cutting off Vishnu's head. The gods replaced Vishnu's head with that of a horse, so that he also became hyagriva. Then with his Matsya unicorn fish avatar (#62) and his new horse-head forms, Vishnu defeated the demon in his sea-shell and horse-head forms and returned the Vedas to Brahma. In his horse-head form, Vishnu hyagriva became wisdom deified.
MIND BLOWN. Sage Dadichi wished to impart Vedic knowledge to the Ashwini Kumara twins, but was cursed that his head would explode if he ever shared the information. The twins devised a plan to replace Sage Dadichi's head with that of a horse. After the knowledge was imparted, the horse-head exploded, and Dadichi's original head was replaced. The wise twins thereafter were depicted with horse heads. (@ Joshi, 2022) In other legends, the wife of the sun Surya, needing a break from light and heat, left a shadow double in her place and took the form of a horse and lived on earth and studied spirituality for a long time. The horse received respect for its grace and swiftness, and as a spirit animal and vessel of divine life and inspiration from ancient times. Discovering her absence, the Sun took a vacation, incarnated as a horse, and joined his wife for a romantic reunion. To win her back, Surya, the Sun, sacrificed 15/16ths of his energy, which was melded into the super-weapons of the gods, like Vishnu's chakra, the Brahma danda staff @, and Shiva's trishul trident. Horsehead nebula in Orion

Below: Vishnu in the form of his Matsya fish avatar vanquishing the ocean demon, recovering the Vedas, and saving Manu and the SaptaRishis from the Great Flood.

4

Dwarf defeats demon king

GLYPH #42: DWARF DEFEATS A DEMON KING BY GROWING TO COSMIC SIZE
Indus Script glyph #42. DEMON KING BALI BECAME SO POWERFUL that he ruled all three realms of the whole universe. Both Devas, the gods, and humans prayed to the god Vishnu for relief from King Bali's cruel treatment. Vishnu sent his dwarf avatar in the disguise of a Brahmin holy man to the court of Bali and requested an area of land that he could cover with three steps. King Bali looked at the tiny feet of the dwarf, laughed, and accepted. Suddenly, the dwarf grew so big that his first step reached over mountains (glyph #41). His second step reached between worlds (glyph #42). Realizing he was dealing with a god, King Bali humbly offered his head for the third step of land. With his foot, Vamana pushed Bali down to rule the underworld, and the balance of the universe was restored. Indus Script glyph #42 shows the dwarf Vamana standing on two worlds because he has grown to enormous size.
In other versions of the legend, demon king Bali was actually a just and capable king. He subjects on the island of Lanka prospered. The problem that he was so successful, the balance of the universe was upset. Indra, king of the gods was jealous. Although, Bali rules the underworld, he returns to Earth on a special holiday of Onam every year, which is celebrated in India with flower arrangements, special garments, and a feast of delicacies served on banana leaves.

Hanuman, immortal monkey god, avatar of Shiva and son of Vayu, the wind god, possessed yogic siddhi (power) enabling him to leap over oceans; grow large enough to carry a mountain, burn a demon city with his flaming tail, and when he was young, attempted to swallow the sun, thinking it was a ripe fruit. He also defeated a rapacious, ship-swallowing demoness by suddenly transforming from huge to miniscule and flying into her mouth to attack from the inside. His five-faced form may be linked to a mysterious glyph ))))) (#298) which may represent 5 faces or avatars. Hanuman is believed to be an immortal, still alive today, who will assume the position of Brahma the Creator in the next great Manvanthar age.

Indus Script glyph #41, #42, and #43 are determinitives of size scale: as big as a mountain, and ocean, or encompassing multiple worlds. In the Indus texts (concordance Mahadevan 1977), they are used to illustrate the greatness and omnipresence of deity, to praise Shiva. Here, they are used to illustrate the legend of Vamana, the dwarf avatar of Vishnu. He defeated the demon king Bali, who had conquered the three worlds, by growing to cosmic size. Bali had pledged to give him three feet of land, but after Vamana's expansion, he had to offer his own head for the third foot, give up his cosmic empire, and confine his rule to the underworld.

7

Curse of the Kumaras

THE KUMARAS LOOK LIKE FIVE-YEAR-OLD CHILDREN, but actually they are immortals, the oldest and wisest beings in the universe. The four Kumaras were born of the mind of Brahma, the four-headed creator god. Once, the Kumaras came to the celestial palace of god Vishnu and asked to see him. The two gate-keepers, thinking the Kumaras were mere children, arrogantly turned them away. To teach them humility, the Kumaras cursed the two gatekeepers to be born as humans. They had a choice: They could be born seven times as devotees of Vishnu, or born three times as adversaries of Vishnu and be slain by him. Devoted to Vishnu, and wanting to return to their positions as soon as possible, the gatekeepers chose to be born three times as enemies of Vishnu, the god that they loved. This is a story that gives a surprising twist to judgements of good and apparently evil people.

GLYPHS: Two gates (or two sudarshan chakras) for the two gate-keepers. Three strokes for three lifetimes. Man with scorpion, adversary. The four Kumaras

5

Half-male, half-female Shiva Ardhanarishwara

ARDHANARISHWARA - HALF MALE AND HALF FEMALE SHIVA

THERE ONCE WAS A DEVOTEE WHO WOULD WORSHIP ONLY SHIVA. He circled around Shiva reverently, but excluded Shiva's wife Parvati, and that hurt her feelings. The next time he visited, Shiva put Parvati on his lap to make sure she shared the honor. The devotee (Bhringi) @ @ turned into a serpent and slithered in between them. Shiva was amused, but Parvati was annoyed. Next, Shiva and his mate fused (#87) into one being that was male and one side and female on the other. This was the the first manifestation of the Ardhanarishvara (half male) form of Shiva. The devotee only circled the leg that belonged to Shiva's male half ( #40). The next time the sexist devotee visited, Shiva and Parvati fused together and stood only on one leg. The determined devotee turned into an insect (#57) and bored through their navel (#354, #319). That was the last straw. Finally, to teach the man about the importance of both male and female, Parvati (#8) decreed that henceforth, the man could only have the parts of his body inherited from his father, his nerves and bones. The feminine flesh and blood withered away, and the devotee became a three-legged skeleton (Indus glyph #39). Unicorn seal M-595 shows the circle (#40, #391) that skeleton man (#39, #48) made around Shiva (#342).

Three-legged skeleton man (#39) repeated action (#95) and the union of Shiva (#342) and Parvati (#65) in one divided (#123) body

* ISHWARA - Lord, man with the BIG HAND, dominion. Division + Moon = week? Knife = edge = threshold = crossing = immanence @ transformation. Shiva V sacral bone, kundalini rising. Fish = priest = Brahmin = north crown. Hapi sema tawi samudra manthan pulling /\. Knife - liminal. Knife Judge Divider Lord sword. Swan divides elixir from water. Discern truth good. Sculptor, Shiva as Destroyer, transformer, former, rhythm maker. Liminial edge, DAWN OF ENLIGHTENMENT, moon births the sun, neither day nor night, zero-point energy. HOREMAHET (Meta: hr: face. em: mother. n: of. akhet: female spirit. Sphinx: image of the goddess. Great lion. Great Cow. FF if + if balanced potential=0. Narsimha: neither man nor beast, neither night nor day, neither in nor out: on the threshold. Threshold of dawn *) /\*.

6

Shiva Pashupati, Lord of Animals

SHIVA PASHUPATI, lord of animals
Great god, first yoga master, forest sage

Center: SHIVA PASHUPATI, Lord of animals, tiger wrestler seal from Mohenjo-daro (M-308).
Center: MAHADEVA, great god, is a primary epithet of Shiva. Great (sign #153, #155). God fish (#59).
Center: SHIVA FOREST SAGE (center). FOREST represented by the up arrow tree (sign #153, #155) and GOD by the god fish sign (#59). The original sages were equal to gods and wielded cosmic powers. Once, a sage became angry at the gods for not accepting his patron king into their heaven. They repelled the king as he ascended in the air, senting him hurtling back towards the underworld. Enraged, the sage started to recreate a whole new universe with a new cast of gods. Scrambling to pacify him, the gods made the king into a constellation.
Bottom left: ADIYOGI Proto-Shiva sits in yogic posture.
Possible 2 way in scription: Right to left. Mahadeva & Adiyogi. Left to right: Hari Yogi Sage Forest. Yoga means union. He is separating and uniting the tigers, cosmic forces.
Yoga means joining, and the letter Y shows a split joined at the bottom. Y also represents yogis because they support their prayer-bead arm with a Y-shaped danda stick.

H: ladder (glyph #186)
HARI, honorific salutation.
H male suffix.
H respiration, breath.
HARA (meta) fire breath, Shiva Destroyer -- of death, ignorance, burning away mortality and material bondage.
Seal from Mohenjo-daro (M-304). Indus Script - Sanskrit - English interpretation by Celeste Horner 2024-4-14
THE LORD OF ANIMALS IS PLAYING WITH TIGERS. They are jumping up on him like eager pet dogs about to lick his face. This is often characterized as combat: Strangling / Wrestling / Fighting tigers, but should be hugging, playing with tigers, and scratching them under their chins. Shiva dressed in skins like Tarzan. It is a primordial scene of idyllic first time. Adiyuga. Animals were like family. There is much mythological lore about ability of deities to shape-shift and tranform into animals. (Combat and dominance situation is indicated in Indus text where two scorpions are claw to claw). Sumerian demigod Gilgamesh shown holding a lion in one arm like a pet cat.
Native American chief in Pashupati posture, painted 1700s A.D
Pan Pashupati Mercury Loki Cernunnos - Long inscription mystery San Jeev mantra (||||) unicorn alchemy salt lick
VISHNU NARASIMHA SPLITS THE PILLAR X| X| together joined V split apart, " and plural together dual. Tiger (Shakti) Elephant (Lakshmi) female side. Buffalo and unicorn male.

7

Shiva Nataraja, Lord of the Dance

Figure 2. Shiva as Nataraja, Lord of the Dance trampling the demon of ignorance. Bronze of the 10th - 11th century Chola period. Tamil Nadu, India. Institute of Chicago, 2018.

Figure . Shiva Nataraja, Lord of the Dance slaying the Bull of Ego. (Alternatively, Shiva as Nandi, the Bull of Will effacing the ego and stoically enduring abuse from a dancing fiend and demented phase of Self, during one of the eras in which, according to Hindu mythology, demon forces have deposed the devas and conquered the three realms of the universe.)

A foot, signifying divine presence
and protection. Indus Script glyph #341

Once, a holy couple was blessed with a wise and wonderful child. They were sad that it was his destiny not to live past the age of 16. When he reached that age, he went into a temple, grasped a Shiva lingam and entered meditation so profound that the minions of Death could not take him. Finally, the Lord of Death arrived and threw his noose around both the boy and the lingam. Shiva emerged from the lingam in a rage and trampled Death into the ground. No one died for a while, and the balance of life was starting to get upset. Finally an agreement was reached. Death forever released its hold on the boy. He lives forever at the age of 16.

SHIVA NATARAJA, Lord of the Dance

THE MOST FREQUENT INDUS SIGN - THE SHIVA SYMBOL
A FOREHEAD MARK OF SHIVA AND VISHNU

The winged V symbol, Indus sign #342, is most frequent in the Indus Script corpus.
It was deduced to represent the god Shiva based on its use in the Man-Tree-Tiger and Shiva Pashupati, Lord of the Animals seals. It represents the mark on the cobra around his neck and is also is a tilak forehead mark, and combines the V-shaped design worn by Vishnu devotees, with the horizontal bars worn by Shiva devotees, which represent his command over the three worlds. 2-bars
Indus / Harappan figurine with tika, c 2800 B.C. (Kenoyer, J. M.)
Priest-king forehead marks the third eye
Dr. Jonathan Mark Kenoyer comment on tika on figurine from 2800 B.C.

THREE-LEAF BAEL TREE, SACRED TO SHIVA

Three-leaf clusters of Bael (aka Bhel, Bil, Bel, Aegle marmelos ) leaves, sacred to Shiva are represented in the Indus Script. Shiva is often depicted with the leaves on his hair or on his throat. This is a very specific and diagnostic linkage between the ancient and modern Hindu traditions.
Pipal tree long life, evolution, air roots, see queen of tree dancing circle. Sacred tree links. Upside down Sapta rishi in Indus seal with scorpion. TODO

THREE-LEAF BAEL TREE - ICON OF SHIVA WORSHIP

Figure 3: Icons of Shiva in the Indus Script: Trimurti, Bhel tree. Celeste Horner 2024.

SHIVA LINGAM

Figure 5: Indus script glyphs for "Shiva lingam". The glyph has the tripundra, three horizontal lines which represent Shiva's omnipresence in the three worlds. Celeste Horner 2024. Times of India: Most popular Shiva temples in India for Maha Shivratri.

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16

References ^

Dravidian and Indus Valley Script (lecture) by Professor Asko Parpola
Corpus of Indus Seals and Inscriptions

REFERENCES

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Celeste Horner interpretation 2024-5-11: TREE GODDESS INDUS SEAL. This is a divine marriage indicated by the joined hearts, and knot-tying symbols (#228) at the top center. The queen and goddess levitates in the heart of the wish-fulfilling tree. The champion, king, and sage, is on his knees. He possesses a decapitated demon head representing overcoming arrogance and ego. He represents wisdom and humility. Is he tied up in a knot, asking for forgiveness, reuninion? The loyal bull of his strength, his soul is behind him. The great trinity of love, wisdom, and power are meeting. Seven tree spirits represent the great challenges that the champion has overcome to achieve union with the queen. The hieros gamos divine marriage represents the culmination and fruition of the process of raising the kundalini serpent energy to the third eye. (Shiva meets Shakti in the V shaped third eye tilaka, Egyptian uraeus, cobra of consciousness). [2] Consider also the daughter of Shiva and Parvati Shakti, a forest guardian goddess.
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Wells, Dr. Bryan Kenneth and Dr. Andreas Fuls (2006 - 2024)
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Wikipedia (2024)
Pashupati Seal. {Images of 3 versions o the seal and interpretation theories}
Varuna
Pashu, noose, lasso {Pasha is an attribute of Ganesha (son of Shiva); Yama, god of death uses it to extract souls at death; and Varuna, god of Oceans, whose mount is an elephant nosed Makara.}
Kautuka ritual thread
dancing girl sculpture {wear bangles on arms, shows fashion worn on seals, possible Apsara}
Patala {Underworld mapped onto the legs of Vishnu}
Wisdom library (2024)
Danda. Wisdomlibrary.org {Sanskrit and English terminology. A danda is a rod that can be a weapon, a churning stick, a measuring device, or form of punctuation.}
World Hindu Festival (2024)
Maha Shivraatri. @
Riley, Lucinda
Pleiades myths and legends. @
Avia (2022)
Antelope Symbolism and Antelope Spirit Animal Meaning. Antelope spiritual symbolism. What's your sign.com. {Antelopes can eat poisonous plants without getting sick, like Shiva in Ocean of Milk legend, freedom, grace, swiftness}

CONTINUE TO DRAFT PAGE 2

Celeste Claire Horner 2024-4 | celeste.horner@gmail.com | celeste@digitalthought.info
DigitalThought.info: Hidden Symbols in the Alphabet