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| DIAGNOSIS PROGRAM | Indusscript.in | | Harappa.com | Vedabase | Introduction Methods Results Grammar Discussion Archaeology Genesis in Indus script? Conclusions References | LAST NEXT * | INTERPRETATION | READING DEMO Ambrosia | GOD GLYPHS | META | [MENU] SEAL PHOTOS | [MAHADEVAN SIGN LIST] | [50 LONGEST] | [ABSTRACT] | [LEGEND LIST] | Seal M314 | [glyph menu] | Statistics | Parpola | Puranas: All 18, archive.org | PDFs | Wisdomlib. Legends: Hindu Saga | Yajnadevam Cryptanalytic Decipherment | Shivoham | [ PERIODIC TABLE ] |
Hindu Saga {God Indra wields the invincible vajra weapon to defeat the demon Vritra who had dried up all the water in the world} |
LEGENDS:
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The Indus Script has long been called the last undeciphered script * of a major world civilization. This is a presentation of the discovery that the enigmatic glyphs are icons representing famous Hindu legends such as How Brahma Lost His Fifth Head, and The Churning of the Ocean of Milk. Below, the glyphs are introduced within the context of story, and this insight is then applied to decode actual Indus seal artifacts. An open source, web-based diagnostic program is shared that can help users to evaluate the connection strength between any Indus expression of their choice and 10 Hindu legends by clicking on a graphical menu of glyphs or typing glyph numbers to compose an expression for heuristic analysis.
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First Indus seal discovered included Amrita symbol
(also contemplate How Brahma lost his 5th head legend, after eating from Tree of Knowledge, Adam and Eve cover up with fig. Brahma has parasol where 5th head was. Wisdom, sacrifice, loss, healing cycle symbol) #232 |
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Unicorn Yaali Seal: Churning of the Ocean of Milk
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Corpus continued. Decorative seals. Indo-Iranian borderlands
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The seal on this cover relates to the Churning of the Ocean of Milk legend. The trishul trident (#162) (fire) represents Shiva, the hero who swallowed the poison. Varuna's ocean 5-point trident (#171) (water element) represents the Ocean of Milk, as well as cosmic justice and balance since he is the god of justice and cosmic order. Side by side, these also contrast the alchemical elements of fire and water. |
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IntroductionIndus Script Interpreted as Iconography of Hindu LegendsRosetta Stone discovered. Tiger seal portrays legend of god Shiva
In February 2024, a breakthrough in the decoding effort was achieved. A seal with Indus script was discovered to connect to a legend about the god Shiva. It happened to be the eve of MahaShivratri, the holy night of Shiva, when author Celeste Horner encountered some key research. Project Shivoham had matched the traditional legend of Lubdhaka and the Tiger with a collection of eighteen terracotta seals identified by Gregory Possehl in 2008. They depict a tiger looking at a man in a tree. The Shivoham principal author recognized the tale as one his mother told him as a child. The legend reveals the context of the scene. Trapped by a wild tiger, the hunter Lubdhaka is forced to take refuge for a whole night in a sacred Bilva (Bael) tree. He prayed, fasted, and sprinkled tear-moistened holy leaves on a Shiva lingam below the tree. This happened to be performed on the yearly holy night of MahaShivratri when the marriage of the god Shiva and goddess Shakti, incarnated as Parvati, is observed with ritual annointing of a Shiva lingam, all-night prayer, meditation, and celebration. Greatly pleased by these devotional actions, the god Shiva blessed Lubdhaka with a safe return home and bliss in his glorious paradise. Many variants of the hunter and tiger legend stress that even sinners and accidental observance of the MahaShivratri ritual can bring great spiritual reward. For thousands of years, gurus, sages, and Indus seals were preaching this message.
THREE STEPS TO DECIPHERMENT. Gregory Possehl (2008) identified the common thread of 18 Indus seals with a man in tree with a tiger. PROJECT SHIVOHAM (2024) identified the unknown legend depicted in the Man, tree and tiger Indus seal as the Mahashivratri legend of Lubdaka. SHIVOHAM video. Celeste Horner (2024) took the next step and interpreted the script by deducing the Shiva forehead tilak (jar) symbol central to the legend and the seal. The legend of Lubdhaka and the Tiger seal was the cultural folklore Rosetta Stone of the Indus Script. Even though it was not a word-for-word multi-lingual like the Egyptian Rosetta Stone, the mystery characters could be matched with a legend that was known internationally, with an illuminating version even currently found in Bali. It demonstrated that thousands of years ago, the Indus culture was steeped in Hindu legends and they celebrated MahaShivratri. Insight from this legend sparked the great "Eureka moment" for Celeste Claire Horner, a retired librarian and independent researcher of comparative language and symbology. Watching the 2024 (and 2023) livestreams hosted by Sadhguru from Isha Yoga Center in India of the spectacular mass ceremony observing all-night ceremony, chant, music, dance, and worship was an illuminating immersion in this ancient cultural tradition. The message: STAY UP ALL NIGHT AND PRAY ON MAHASHIVRATRI! The goal is to remain upright absorb the upsurge of celestial energies from planetary alignment and scriptures guarantee that spiritual merit of pleasing Shiva. That was was the message of both Sadhguru on the livestream, and the hungry tiger on an ancient Indus terracotta seal compelling the man to stay up all night in a tree, on guard and in prayer! The long-sought interpretation key provided an independent account of the meaning of enigmatic Indus inscriptions. As an American raised in the United States and Canada in a home oriented to world culture, with both the Bible and the Bhagavad gita on the bookshelf, Celeste was able to recognize allusions to Hindu philosophy and mythology in Indus Script artifacts. As a young child, Celeste listened as her mother, a kindergarten teacher who had visited India, read stories about Krishna and Hanuman, the mighty flying monkey god who carried a mountain. They made a lasting impression. Examining the tiger seal, she employed a prior meta-language research discovery that the upright fish @ @ Indus sign #59 was a god symbol. Her comparative culture research connected the fish symbol with Vishnu Matsya, Oannes, Dagon, the ICHTHYS fish of Christianity, intersection of circles in geometry, the vesica piscis, and the Pisces constellation. Celeste Horner deduced that the winged V "jar symbol" Indus sign #342 (jar, winnowing basket, sacred vessel, lingam), the most frequent glyph, was a third eye forehead tika sign, a cobra mark, and a SHIVA SYMBOL. Suddenly, a huge light illuminated the mystery of ancient Indus Valley civilization. This discovery meant that the god Shiva was the central theme of the Indus Valley culture. Many seals featuring fantastic beasts, such as unicorns and elephant serpent chimeras, show that the trading, farming, and herding society particularly venerated Shiva Pashupati, Lord of Animals. The Indus Valley people were Pashupatinath Shaivites. Their proto-Sanskrit (using danda, letter va व ) ( Dravidian? Fish = "min", star (Parpola)? Caroline Islands,Easter Island * Samgan Literature, Agastia, Linear Elamite, Bactrian þ Þ SH + VA व Sanskrit) logo-ideographic writing system, the Harappan or Indus Valley Script, is composed of icons which represent legends of Hindu mythology featuring Shiva and other deities. Language-independent ideas are conveyed, which could easily be adapted to make rebus-principle writing for numerous languages. Placed on objects of the household and commerce, they sanctified prasad, carried spiritual blessing from pilgrimmage sites, taught wisdom, and immersed the beholder in continuous contemplation of legendary divine action.
With symbolic insights from prominent and fascinating Hindu legends, most of the Indus characters can be understood and organized into a few categories of a coherent mythological framework. Two primary legends illuminate most of the glyphs: Churning of the Ocean of Milk and the legend of Jyotirlinga: how Brahma lost his fifth head.
Mahashivratri ceremony with Sadhguru at Isha Yoga Center [2023] [2024] *
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READING DIRECTION OF THE INDUS SCRIPT: Like a miniature temple, the seal can be placed with the deity or living being facing right or east to establish a consistent orientation reference. The reading direction is then right to left like the sun rises, towards the face of a deity or living being (head to tail). Conversely, the symbol sequence is towards the back of a dead (or disgraced) being -- a skeleton with a protruding spine, or upside-down dead bird (Hamsa - How Brahma lost his 5th head legend. He turned into a bird and was beheaded for lying). The directionality of individual asymmetrical glyphs is determined from authority pieces with expertly proportioned votive animals or deities depicted. In the absence of reference deities, the orientation of known characters can be used to deduce the orientation of other characters or text. This method is developed from Egyptian hieroglyphs, which are read towards the face of deities which can be facing in various directions in monuments, such as in symmetrical arrangements flanking both sides of a doorway. Sharp grass used as magical sword * and purifier. Shiva humbles arrogant gods with the deceptively non-gentle weapon. Cross-kingdom conjunction: grass substrate plus silicate sharp blade embedded. Linga. Va boar dusk, swallowing throat, plant with sharp spine. OM (@) conch. mane gem diamond <>. padme lotus flower of englightenment rising from muck Y. Hum =[']= first tone =V=
INTERPRETATION - Symbols reference the Jyotirlinga legend. How Brahma lost his 5th head. Brahma argued with Vishnu over which was the greatest. Suddenly an immense pillar of light appeared. They agreed whoever found the end of the mysterious apparition would worship the other. Brahma turned into a swan a flew upward, Vishnu assumed his boar avatar and dug downward. They searched for aeons with no luck. Meeting again, Vishnu truthfully confessed he failed, but Brahma lied and said he found the top. Shiva emerged in a rage from the pillar and cut off Brahma's egotistical 5th head. Read towards the face of the bull unicorn, right to left. 1. All-seeing, evil-destroying eye of Shiva emerges from the infinite Jyotirlinga pillar. Symbol for searching high and low. 2. Dead bird of Brahma, beheaded for lying about finding the top of the infinite pillar of light. 3. Tirtha temple, a jyotirlinga site. 4. Symbol for boar tusk, the Vishnu Varaha avatar. Symbol for flesh cut off with knife. 5. Symbol for negation, coming out, cut off. ALCHEMY step: PURIFICATION. Unicorns and cow-lick (water, salts, minerals, mushroom formula complex, insect repellent, fountain grass and water basin) standards represent alchemy -- the production of soma for enlightenment and immortality. This step represents purification - cut off the surplus head causing lying and ego. A spiritual token for health blessing and wisdom with a strong dose of moral instruction. Learn from Brahma. Tell the truth, don't lie! * Honey is alchemy. Nu pot. Sphinx. Beer. Sekhmet. Mead. Butter (photosynthesis of grass, cow milk, souring, separation, churning, drying etc. Butter represents enlightenment, alchemical end-products) Alchemy being a synergistic confluence from various realms, an ensemble collaboration of nature which produces a unique result on a different plane which has energetic momentum for producing new productive phenomena. New profound music, Alchemy, Adventure and Love being prime reasons for Existence. Water bearer can represent chemical balances for getting the right proportions for glazes etc. Kiln. Spoon. U vessel. () union. E sifting. '/' division. Fire. Water etc. Calendar for letting ingredients cure, sit in earth for year, half year etc. Ink dry * Hammering homogenizes the nanoparticles of gold and pearl, fragrance, binder. Hard wood ash.
INDUS SCRIPT GRAMMAR
DiscussionDEEP TIME & INTER-CULTURE CONNECTIONS. Rings of Rama legend. Mammoth. Sacred ammonite. prior to Pole Star level earth Geological evidence of deep ocean churning due to Mars orbit resonance *
(Parusha Vishwarupa Vishnu divided man map. illustrates cosmic drama has repeated innumerable times. Multiples suns, and shave off energy makes astra weapons. (Pashpati with a mammoth (sloped back, Brahminic cranial top-knot *), wooly rhino, (Sun god Surya cavorts with wife as Lascaux horse sacred time) and sitting on striped cave lion. Primitive fern conifer motifs. Satya Yuga preceded trees and flowering plants -- pre-Cretaceous. Island India steady-state climate - never rained state, etc. Precession of Equinoxes and pole stars. Brahama swan Cygnus. Crash of Continents creates storms, time of Indra. Saraswati drying time marker, etc). Prithu levels land for agriculture. Pashupati free and tethered animals. Charioteer Vishnu Krishna Auriga Demigods and Heros mythological age. Kali Yuga Age of Man. Shiva precides. Kalki, Maitreya. Hanuman=Brahma, Bali=Indra next. Quantum physics. Star maps. Major seals interpreted with mythological context. Decapitated head, not sacrifice, spiritual awakening. Divine Dramatic Mystery Play on repeat with humor, mis-step devices, balance with demons taking over all 3 worlds sometimes, learning lessons. Connections to pre-Dynastic Egypt. Repeated cyclical Time reveals unexpected relationship between free-will and destiny as events can play differently in different versions. Born of Brahma's big toe in one cycle, of his mind in another... (Min. Cackler goose egg, Nagas, ST, Osiris (Indus glyph #160, with flail). Amun. Amenti. Narmer and Wash=Oesho? Narayana Vishnu and Shiva resonance? (Bactrian gold coins) =Isha=predynastic Shivaites? #190 4 pillars of heaven hieroglyph. House pr. Fertility, immortality, alchemy, unicorn, rabbit, linga, Mantra. Nilkanth, Nu pot, Nile blue. Narmer, Narayana. Mr. Wer - great. Ishwara. Ideographic languages - ProtoSinatic, Chinese, pictographic phase of Sumerian. Min: star. Manu. Wadjet mirrors unicorn tree. Amun, Min Egypt. Proto-Dravidian: *nīr (water). HP 4500. #173 Dashavatar sceptre. #143 swastika cycle of Yugas. #89 3 strokes. Dashavatar (10 avatars of Vishnu). Cycle of Time. 3rd avatar. Satya Yuga. Varaha, the boar. Tretayuga: Vamana Parasharama Rama. DV: Krisha, Balarama. Heuristic program Javascript to diagnose inscriptions. Tongue out, Indra defeats demon to release rivers. Vamana's heaven step cracks the sky to release Ganga, fist stage. Dragon key: serpent + deer (legs and horns) + lion grasping 4 suns of solar cycle. Out of mouth is Man, flames. Fire dragon + water dragon. Shiva + Vishnu. " || complementarity, duality = projection child creation. Uranus Air Gaia EArth). Sphinx (Shiva/fierce female Durga on lion/Inanana, Astarte). Sphinx and Vetala pose riddles in liminal zone. 1000 heads (avatars), 1000 arms (forces, activities). DIAGNOSTIC signs with high probability connection to specific legends. LONG PASSAGE INTERPRETATION. DEEPER MEANING glyphs. Interpretation Javascript program. CROSS-CULTURE CONNNECTIONS. Pr house. Y heaven pillar. Mr hoe/plow. Chinese knife, hand, and lid radicals. Shiva, Pashupati = Pan & Min? Gupta. Egypt? Bali 𓋍 Soma = Sm3? Tug-of-war interaction which binds the living system. Egyptian churning with Seth and Horus consonant with Churning of the Ocean of Milk with cooperation of antagonist Asuras and Devas. X
ARCHAEOLOGY. Indicates casual domestic use, private spiritual practice. Steatite Unicorn seal, c 2300 B.C. found in street debris inside city call. Indicates ephemeral use, common use, continuous use, like spiritual batteries holding blessing charge, ubiquitous. Like a prize in a cereal box, like a magazine, schoolbook, it could become part of a purchased item and become a common householder's library for spiritual practice or contemplation, like a spiritual magazine. Protective amulet. Baked into bread and revealed as a divinatory message. Memory aide distributed at public recitations of Puranas. Home instruction for children. Divination. Mark of being sanctioned by a priest. Mark of being imported from a spiritually blessed pilgrimmage site. Tokens to be included on domestic altars. Tapasya. Riverside site map * Earliest Harappa settlers 3300 BC * *House with pottery and "broken necklaces, bone and stone tools, spindle whorls and bangles made of marine shell as well as of terra cotta". Sacred waters and plants? pottery pattern? * * Intersecting circles, Fish-scales (god glyph), Pipal leaf motifs common. *
Suwa (Siva?) was a god worshipped duuring times of Noah according to the Quran. Siwa. prophet of Ammon consulted by Alexander the Great. Sah god in Egypt. Lost script of Arabia Mythvision podcast. Dr.
The Bible verse where God says to no longer call Him "Baal" (or Baali/my master) is Hosea 2:16. In this passage, God promises a restored relationship with Israel where they will call Him Ishi (my husband) instead of Baali (my master/Baal), removing the association with idolatry.
Vishnu - the height. Fish eyebrow represents the sun at the ceiling of the sky. Like Egyptian Ra, sun at noon. The height of perfection. Shiva shows sun at sunset. Gills of fish show solar barque about to descend into the underworld, over which Shiva presides and defends to produce the glorious golden dawn at the end of a perilous journey. Book of the Dead. Favorable reincarnation or release from cycle. Shiva would be Atum, tomb of the Midnight Sun, and Amun Re (One Light of Dawn). 4 stations of the sun needed to be reborn, for each instant of Time to be sustainable and lead to the next. Same *) OM crown, solar barque symbol at different angles gives different meaning. The whole cycle #391. The chakra, the wheel of Samsara.
Fish are symbols of immortality, eternity because they can live in the primordial waters and they never close their eyes.
Library: Horse (ashwini, god of wisdom) + House. Literate. Tablet collectors to built merit. Economy of sacred merits, travel, pilgrimmage, support shrine network. Individual gets education. Women, children domestic and public oratory stadium. Like the Dohlavira sign. Go gather, hear the great sage. Occasion with music, mixing, markets etc. Flags, food. House of horse. stables also?
three-sided tablets (clever representation of Trimurti! Three gods in one). Water-bearer Shiva, four-armed Vishnu, and temple (house sign) III of the Trimurti. Throw sticks or votive items? Calculation sticks? Debris behind curtain wall. Harappa 1997 tablets also Trimurti markings.
Scanning electron microscope study. Production in kiln at 1000 degrees C to harden steatite, would have taken two days to reach the temperature
Shiva emerges from Jyotirlinga (#2) and Bilva leaf offering from large space designated granary, but no grain evidence found.
circular platforms for water based work. Linga?
Harappa.com: Harappan Seals and Sealings from Bagasra and Shikarpur: Some Preliminary Observations
Vishnu hid the image under the sand
The world's oldest account of the Garden of Eden story from the Bible's Book of Genesis may be on an Indus seal from 2500 - 2000 BC. The potential Garden of Eden scene is on Chanhudaro* * Indus seal. There is a big apple with two bites taken in the center. A large antelope may represent the beasts brought to Adam. In front is a fierce guard with two bows. Genesis 3:24: Cherubim with flaming sword which turns every way guards way to the tree of Life.
As above, so below. Banyan tree of Life. Apple with two bites. Brahma's Egg #303A
The leaf of the Bodhi tree, signifying enlightenment, Pipal tree is present. This Tree of Knowledge is superimposed on a moon crescent. The )) shape is also a mouth open for eating. Or perhaps the crescent is a worm, horns, or a serpent? There is a conjunction / and double tick sign " between the Pipal tree and the apple. There are three strokes, one for condemned Adam, Eve, and Serpent expelled from the garden, and destroying eye (or boss on reverse side of seal. The Tree of Knowledge was sealed-- face turned away. Choose fortune face down. wear as talisman around neck, clothes, wrist). Bow and arrow turned backwards towards holder.
Indus was a brick-baking culture, and their writing had a black-out and has been a lost language for millenia. They had brick for stone implies that stonework was the prevailing building material in the prior era.
Flowing water symbols seen on right. Amrita shell indicates the river of life. Genesis story. "A river went out of Eden to water the garden" Gen 2:10. Gen 3:10: they knew they were naked, and they sewed fig leaves together, and made themselves aprons. (Pipal fig leaf and crescent moon for night and private). Apple with two bites is the center piece. Get back to heaven Tower religions. Let us make bricks. (Should compare Indus brick dimensions with other regions to see if conserved) then towers knocked down, severed. Then flood. Matsya.)) Ancient knowledge of Genesis also surprisingly in ancient Chinese (Bible Genesis story root of Chinese script, 2500 BC), maybe also in Indus which was contemporary? Oldest surviving in the world, much older than Dead Sea Scrolls? Tower structure on left seal also.
Bodhi tree is the tree of Knowledge and Banyan tree with aerial roots dropping down from heaven to Earth is tree of life? (iChinese standing knife radical 刂 Falling waters for Genesis rain and Ganga to Shiva's head. Knife cuts pause in existence. The End. Rest. Restart.). Markendaya survived Pralaya floating on a Banyan tree leaf, had transcendental chat with Vishnu while waiting for Universe to reboot.
Alternatively, this may be just a representation of the realm of Indra, which would be guarded by divine warriors, where the divine trees are said to reside. But given tower (linga, infinite tower of light) culture and Chinese precedent, worth considering the Genesis perspective.
Vertical crack through left eye symbolic. Single eye of wisdom motif.
H. Sahota discussion * He exudes the intelligence and regal bearing needed to lead in a large area civilization such as the Indus society which demonstrated engineered streets, baths, and
drainage, regulated weights. 2026-3-29
He may be a sage which teaches the Puranic stories
orally from his prodigious memory.
The Indus Society glyphs indicate focus on Shiva which may explain egalatarian, non-materialism, lack of palaces.
In ancient times, Satya Yuga, worship done in forests, river-sides, mountains etc, natural area, not large temples. Society
may reflect these original forms.
Original report in French: Memoires de la Mission Archeologique de Perse. Tome XV1. 1921. V Scheil, director. leaf and Ibex Need volumes VI and XVII? lion-wrestling lion, bull, Maltese cross Ibex lick leaf on top of mountain Leaf on mountain is in Indus Script - as Mount SuMeru? Heaven realm?
The Indus Script appears in short inscriptions. This indicates that it is a symbolic language which relies on the culture and prior knowledge of the reader. It might not be susceptible to literal specific decryption. It functions more like a mantra to be contemplated, a multi-layer candy to be savored, or a flower to bloom. It invites consideration from multiple angles and discussed with guru or seekers. It is primarily a right-brain symbolic (even potentially non-verbal, or universal language) language rather than a left-brain verbal language. It has been influenced by Sanskrit or has prototype elements but not the complexity.
HIEROGLYPHS, a sacred language for mriti remembered legends of the gods and divine personalities. Would expect it to record only sacred names and places, not for mundane economic activity (but in foreign regions the script might be adapted for secular purposes, the script has the capacity to represent words with the rebus principle). Thus inscriptions in foreign lands might provide clues to what individual icons meant, translated to a sound in the local language. This would be a script for representing sacred names, places, calendar of holy days, wisdom, and legends. It would not be for mundane or commercial use because like a mantra, the purpose would be to to keep the mind absorbed in the divine to gain moksha, release from the cycle of material bondage to the rebirth cycle. This could be an aid to ascend to higher realms by mental focus, not dwelling on material lusts, fears, and resentments. Wandering sages gave discourses, perhaps the seals were tokens that people or students could take home as a personal library, as the period of complete reliance on memorization was transitioning to more written records. (If used for commercial purposes and brands, like Churning of Ocean of Milk butter brand, Apsara perfume, and Gandarva wine, it would be a degradation, corruption but possible outside the origination zone). On the other hand, assigning priest blessed aspirational names to people and endeavors might be uplifting. Sacred names are usually closely held however (Such as secret name of Ra which Isis obtained) because they are thought to convey mystical power. It would actually be beautiful if school children revived this language, studied it, and composed poems with it which they would explain with contemplation and ingenuity and personal experience. There is ample material for new emojis for the digital age: #48 hunched skeleton in dispair for depression and angst, #16 for working hard turning mountains and doing the impossible, #244 gaping tiger mouth and #176 endless sign for talking too much.
Ancient Purana authors demonstrated that they appreciated wit and humor and the spicy drama of life.
GRAMMAR: Simple grammar: #99 AND/PLURAL; #97 SINGLE / NOT / OUT OF. The language was decoded with reference to Egyptian hieroglyphs (pr house and mr hoe) and Chinese symbols (knife and right hand radical). " VERB, repeater, intensifier #99. #93, #94 Danda stick shloka repeat marks. Associated with Damaru drum repeated rhythms of Time created by Shiva.
2. PURANIC LEGEND KEY. Legends from the Puranas are the key to decoding the script. Some icons are very specific, distinct and unmistakable such as gods and demons pulling either side of a mountain in the Churning of the Ocean of Milk, or a three-legged man in the Ardhanarishwara legend. There is a default reading direction indicated by the orientation of non-symmetrical characters as they appear with high quality authority seals with animals or deities.
#245 18 Puranas + sage and walking stick = sage who teaches Puranas and travels. Sage Narada. School, ashram, arena. Disciples gather. Tell us the Puranas. Please recite!
DIAGNOSTIC GLYPHS: Churning #16, Trishul #162: Shiva 8, #48 Sati 6, Churning 7, Fifth-Head 7 Dead bird: Fifth-head 9, Churning 7. #180 Shiva hair: Churning 8. Shiva 5. #198 Brahma head: Fifth-head 8 #130: Peak and valley. Fifth-head: 9, Churning: 8. #133 /\/\ #150 X Closed X vs open X Pralaya, flood, core water Absu. #372: Trimurti. Brahma lotus born. Shiva 3rd eye in pillar. Vishnu upholder.
ADVANCED UNITY TEACHINGS: Modes of unified duality. Differentiated expansions of the One. Don't be fooled by manifold appearance, all is one. Vesica piscis. Resonance " || =V=. Nesting. Entanglement. Co-trapped Diatomic elements confined by net. Cooper pairs of superconductivity. Consciousness as an entangled harmonic loop state of matter. Mirror || Vesica () Cross X. Marriage. Team right hand radicals connected by knot. Pasha, noose. Expansion like umbrella or cobra hood from single axis revealing parallel existences. Convergence V Alignment ||. Pashpati demonstrates meditative prowess by splitting grass (the one thing hard and sharp enough to split anything else in the universe) with his mind to reveal a primordial loop or twin spark. Shiva emerges from pillar, Vishnu Narasimha emerges from pillar demonstrating omnipresence. Threaded single eye them. Shukracarya in the teapot. Let thine eye be single. One eye Odin. Linga. Eye of consciousness which threads through all worlds like a finger wears a stack of rings. Bull: the great work of alchemy within duality. Unicorn: The singular, perfected result. COSMIC AXIS allegory: Hunter Shiva and Arjuna both shot a boar, one through mouth, and Shiva though the opposite pole. Aperature *, also heaven and star. Bullseye through the center. I see only the eye, said the archery student whose focused concentration on the target animal was perfect. Would have split each other's arrows V motif. Shukracarya thru eye, hiding in teapot spout of Bali. AXIS UNITY Ardhanarishwara male female. PN pan all. Standard / unicorn manger: The life-preserving ark. Boat water vessel + sail air catcher + unicorn directional guidance 2026-4-8-- cosmic axis reflections: staff, fingers etc HIEROS GAMOS sacred marriage. UNITY: Rose bud #269 and thorn #402, one plant. (Medicinal properties of roses mentioned in Rig Veda) Priest king robe = trifolate design - three lobes, still one circular path. " target=top>Ishta Ishtar, beloved and sacrificed. Babel language family split Ish IX: I one, pillar, top to bottom connection, bridge. X disperse, shatter, radiate. Sacrificed SCRF - CR core heart = SRFC surface, suffer SFR. Left black skin, white eye, right white face black eye, spots. owl man, Artemis far moon. Two face moon, back side thick, near side hot with radioactives which enabled mares. Integrity.
CHEMISTRY. Oxidation of mushroom turns neck blue. (Shiva Samudra Manthan). Substances: sharp and sacred kusha grass, mushrooms, nectar, alchemy of the body. Immortality formula yet sanjeevani mantra alone is also sufficient. Apothecarial paraphrenalia, vessels, condensation coils, spoons, pestle etc. Kartikeya 6 nurse-mothers. Some node or junction with 6 inputs.
SPACE AND DEEP TIME. Rings of Rama multiverse.
INFORMATION SCIENCE, SEMIOTICS, CRYPTOGRAPHY IMPLICATIONS (Multiplexes hidden messages). Glyphs suggestive, yet ambiguous to offer structure and flexibility. Not susceptible to brute force decryption approach from outside, need to know cultural background, ideas, goals and actions behind code source. Non-specific no 1:1 I/O map. Individual interpretation. Art, insight and philosophy influence. Right brain language, meta-verbal. Petroglyphs writing system communicates mood, relationship, reverence, maps should be recognized as writing for conveying information, schematic, maps or a frame of mind. neural approach for network of microtraits. MASSIVELY POLYVALENT ABSTRACT TOKENS. Yajna Devam decryption: Seeded with #342 = A. Output poetic utterances. Run decription again in a different key, focusing on corpus of holy place names and sacred names (gods have 108, 1000 names to keep track of), starting with different seed. #391 wheel = A / loka, chakra, An Umbrella = T (Rune). Indus Script BINARY: Vishnu 1 (uphold #347), Shiva 0 (negation, AWAY #342). Legends are information, a code conveyed with vivid imagery and emotional charge in order to be memorable for long periods. Employing fiction, they communicate something true. Tiger skin = reflection, symmetry, as above, so below. Spotted cat xo field flux. Tiger skin = loom. Weaving = computation. \ || divide repeat. ^ return to top. basket result. Net collect. \ split off thread || keep thread.
REDUNDANT GLYPHS. 98 and 100. NEED TO ADD GLYPH #0 meaning nothingness, void. Legends give insight to consolidate minor epigraphic variations. Need 268A conch shell for Amrita. #268 is two eyes looking for end of Jyotirlinga. Upside-down bird = squirrel descending head first, Messenger, Vetala wisdom seeker like Odin, hanging upside down in a tree to obtain wisdom.
3. FUTURE: Decode short names of gods, sages, temples, pilgrimmage sites based on new decryption seeds based on the key of god Shiva.The formulation of the glyphs does suggest words are suggested, although the mythological theme is the first layer of interpretation.
RIGHT-BRAIN COMMUNICATION SYSTEMS. This begins the era to STUDY AND EXPLORE ANCIENT GRAPHIC LITERATURE (rich with clever metaphors and symbolism) new and ancient genre. (This includes what are called cave paintings! This is writing marks which influence mind, but meta-verbal) Left-brain thinking has been completely dominant in text and communication, time to explore right-brain modes of expression. Graphics, pattern, symbols, dreams etc.
CROSS-CULTURE: Shiva = Amun? = Pan? Harappan. Hara=Shiva. Hari=Vishnu. Pan = god of all creatures, has horrible roar which causes panic ... connects to Shiva Rudra with great roar or cry. Lakshmi from ocean is like Aphodite from Ocean. Pashupati. 𓉟 08 hieroglyph temple / house / mansion has bread loaf and pillar may be Shiva linga. Wash defeated by Narmer (same root Narayan) may be predynastic followers of Oesho commemorated on Bactrican Kushana coins. India answers questions: what is noose held by Egyptian dead? Pasha. What are upright snakes in Egyptian underworld? Nagas. Egyptian crown with many sundisks could be one Shesha Ananta upholding the world. Cackler? Brahma born from egg. Brahma like Khonsu born from lotus.Shiva Min Amun ithyphallic. Same father religion as Gobekli? Uranus to Kronos Golden Age Satya Yuga. Saturn = Shani Dev.
Egyptian hieroglyphs were a key reference for the reading direction for the Indus Script, towards the face of the presiding deity. The house and plough hieroglyphs were used to interpret the Indus Script. The Chinese right hand and knife radicals gave insight. Sumerian dingir god sign resonated with the chakra Indus sign.
Adapa one of 7 fish sages. Sumerian Sanskrit link? Adapa = Adi apa, first water. He was tricked into refusing the water of life. Adi pa = first father, a patriarch of mankind. His legend explains why humans are mortal.
FUTURE: Mystery and opportunity for disconvery remains. The script invites study of the huge wealth of wisdom Puranas and expressing the fruits of contemplation, insights as a string of glyphs which could be shared like a poem.
HIGH SCIENCE, DEEP TIME, PSYCHOANALYSIS, AND FUTURISM. There is intriguing correspondence between Puranic legends and the Kalpa cycle and the billion year scale deep history of Earth.
Hindu mythology offers vivid ways to envision high science in deep time and physics. 6 stroke quarks Trimurti and female counterparts, up/ down spins. Unity = bound duality " || markers in script. Complex unities explored: Mirror, Union male female Shiva, Union Trimurti Dattatreya, antagonistic multi-actor theatre etc with animal archetypes of the psyche as per Jung. Island India & continents
The Indus Script is a visual gateway to a huge, deep, and ancient well of wisdom. It has been an enigma, dormant for centuries. It invites us to study the Puranas and experience to pilgrimmage trail of sacred places. With the significance of the symbols illuminated by ancient sacred stories, the language can revive with new life in a new time. It is a language which communicates both within and beyond language.
INGENUITY AND VERSATILITY of pictographic script. The Indus Script can multiplex two or even more messages onto the same set of glyphs. #402 can be interpreted as a convex or concave shape, the protruding tusk of Vishnu's boar avatar which raised the Earth from the bottom of the ocean, or the throat of Shiva as he swallows poison to save the world. M-314 is simultaneously a wedding celebration and an epic scene of gods and demons churning a mountain in the sea. There are layers, nuances, riddles, and metaphors to contemplate. This is a new, yet ancient type of literature for the world to appreciate.
ENDURING LEGACY, recorded culture effectively over thousands of years, timeless, still relevant, mental exercise like chess to decipher and contemplate, uncover hidden concepts with graphical analysis, applicable to current culture, ripe for revival.
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